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Book Categories |
Foreword | ||
Preface | ||
Pt. 1 | Objective Things | 1 |
1 | The Two Traditions - Elizabethan and Modern Acting | 3 |
2 | Using the Verse - Heightened and Naturalistic Verse | 27 |
3 | Language and Character - Making the Words One's Own | 56 |
4 | Using the Prose - Why Does Shakespeare Use Prose? | 83 |
5 | Set Speeches and Soliloquies - Taking the Audience with You | 106 |
6 | Using the Sonnets - Going Over Some Old Ground | 128 |
Pt. 2 | Subjective Things | 147 |
7 | Irony and Ambiguity - Text That Isn't What It Seems | 149 |
8 | Passion and Coolness - A Question of Balance | 167 |
9 | Rehearsing the Text - Orsino and Viola | 188 |
10 | Exploring a Character - Playing Shylock | 211 |
11 | Contemporary Shakespeare - A Discussion | 227 |
12 | Poetry and Hidden Poetry - Three Kinds of Failure | 243 |
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Add Playing Shakespeare, John Barton is Advisory Director at the Royal Shakespeare Company and has directed some of the greatest Shakespeare productions of our time. His book, Playing Shakespeare, is a transcript of his televised workshops with some of our finest Shakespea, Playing Shakespeare to the inventory that you are selling on WonderClubX
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Add Playing Shakespeare, John Barton is Advisory Director at the Royal Shakespeare Company and has directed some of the greatest Shakespeare productions of our time. His book, Playing Shakespeare, is a transcript of his televised workshops with some of our finest Shakespea, Playing Shakespeare to your collection on WonderClub |