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Introduction : understanding diaspora, identity and performance | 1 | |
1 | Identity, modernity and power in the performing arts among the Chinese diasporas | 17 |
2 | Morphing Chineseness : the changing image of Chinese music clubs in Singapore | 30 |
3 | Community, identity and performing arts : the Korean diaspora in the former Soviet Union and China | 43 |
4 | Dancing in the tomb of samba : Japanese-Brazilian presence/absence in the Sao Paulo carnival | 61 |
5 | Noisy intersection : ethnicity, authenticity and ownership in Asian American taiko | 75 |
6 | Arangetrams and manufacturing identity : the changing role of a bharata natyam dancer's solo debut in the context of the diaspora | 91 |
7 | South Asian music in Britain | 104 |
8 | Idealization and change in the music of the Cambodian diaspora | 129 |
9 | Nagi music and community : belonging and displacement in Larantuka, Eastern Indonesia | 144 |
10 | Jingju (Beijing/Peking 'opera') as international art and as transnational root of cultural identification : processes of creation and reception in Shanghai, Nanjing and Honolulu | 161 |
11 | 'Mirrors' of west and 'mirrors' of east : elements of gagaku in post-war art music | 176 |
12 | Theatrical collaboration in the age of globalization : the Gekidan Kaitaisha - NYID intercultural collaboration project | 204 |
Afterword | 221 |
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