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Acknowledgments | ||
Introduction | 1 | |
1 | The 'Impossible' Aesthetic: Asia and Australian Visual Arts | 8 |
2 | On the Beach, Until the End of the World | 20 |
3 | Postmodern Tristesse or Transacting Authenticity in Strange Places: Dennis O'Rourke's The Good Woman of Bangkok | 33 |
4 | The Orphan Complex: An Australian Myth Travels to Asia | 52 |
5 | Screening the Other Woman: Pozzan and Bretherton's As the Mirror Burns | 70 |
6 | Translation, Ethnocentrism and Cinema | 83 |
7 | Re-inventing the Killing Fields: Australian Press Coverage of Cambodia | 101 |
8 | Ad-sick, Love-sick, Home-sick | 122 |
9 | Looking For Love (In All The Wrong Places): The Production of Thailand in Recent Australian Cinema | 143 |
10 | The Australian Tourist Novel | 162 |
11 | Objects, Stereotypes and Cultural Exchange | 176 |
12 | Australia's Recent Visual Art Exchanges with Asia | 196 |
References | 214 | |
Notes on contributors | 226 | |
Index | 228 |
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