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Acknowledgments | ||
Introduction | ||
1 | Racialized Masculinity and the Politics of Difference | 1 |
2 | The Preformed Image: Watermelon, Razors, and Chicken Thievery, 1896-1915 | 14 |
3 | Black Cinematic Ruptures and Ole Uncle Tom | 41 |
4 | African-American Cinema and The Birth of a Nation | 63 |
5 | The Defense of Black Manhood on the Screen | 91 |
6 | Oscar Micheaux: From Homestead to Lynch Mob | 122 |
7 | Within Our Gates | 150 |
8 | Blackface, White Independent All-Black Productions, and the Coming of Sound: The Late Silent Era, 1915-1931 | 164 |
Conclusion | 206 | |
App | Two Silent African-American Film Synopses | 209 |
Notes | 215 | |
Bibliography | 249 | |
Index | 259 |
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Add Black Manhood on the Silent Screen, Black Manhood on the Silent Screen is unique in that it takes contemporary and original film theory, applies it to the distinctive body of African American independent films in the silent era, and relates the meaning of these films to larger political, so, Black Manhood on the Silent Screen to the inventory that you are selling on WonderClubX
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Add Black Manhood on the Silent Screen, Black Manhood on the Silent Screen is unique in that it takes contemporary and original film theory, applies it to the distinctive body of African American independent films in the silent era, and relates the meaning of these films to larger political, so, Black Manhood on the Silent Screen to your collection on WonderClub |