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Dedication | ||
Preface | ||
Ch. 1 | Advancing toward Photography: The Birth of Modernity | 3 |
Ch. 2 | The Daguerreotype: Image and Object | 25 |
Ch. 3 | Calotype Rising: The Arrival of Photography | 49 |
Ch. 4 | Pictures on Glass: The Wet-Plate Process | 71 |
Ch. 5 | Prevailing Events/Picturing Calamity | 97 |
Ch. 6 | A New Medium of Communication: Art or Industry? | 115 |
Ch. 7 | Standardizing the Practice: A Transparent Truth | 135 |
Ch. 8 | New Ways of Visualizing Time and Space | 165 |
Ch. 9 | Suggesting the Subject: The Evolution of Pictorialism | 185 |
Ch. 10 | Modernism: Industrial Beauty | 213 |
Ch. 11 | The New Culture of Light | 237 |
Ch. 12 | Social Documents | 267 |
Ch. 13 | Nabbing Time: Anticipating the Moment | 299 |
Ch. 14 | Photography and the Halftone | 315 |
Ch. 15 | The Atomic Age | 343 |
Ch. 16 | New Frontiers: Expanding Boundaries | 371 |
Ch. 17 | Changing Realities | 395 |
Ch. 18 | Thinking About Photography | 431 |
Bibliography | 485 | |
Individual Artists | 492 | |
Technology | 502 | |
Sources for Artists Books | 503 | |
Index | 504 |
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Add Seizing the light, Its chief virtues are a succinct, mostly lucid style, a wide intellectual scope, a flood of ideas and insights at every turn, sensitivity to the technology and culture of photography, and a willingness to attend to images . . . In the end, perhaps the be, Seizing the light to the inventory that you are selling on WonderClubX
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Add Seizing the light, Its chief virtues are a succinct, mostly lucid style, a wide intellectual scope, a flood of ideas and insights at every turn, sensitivity to the technology and culture of photography, and a willingness to attend to images . . . In the end, perhaps the be, Seizing the light to your collection on WonderClub |