Secrets beyond the Door: The Story of Bluebeard and His Wives Book

I will mention that when a author, professor, critic (too many of these people) or a blogger writes on literature and film, got or has attracted my interests that run the gamut from this or that subject or topic: there I go with it? Nothing said nothing gained, but Tatar has touched on the ace of theme - fairy tales or folk tales males and females are yet imperfect. Grasp the bluebeard brigand animal or human, spirit of the dead rise in the hidden cave and movies paint the scene, that which the director producer script writer, original author select to develop the painting or filming. Does the innocent snoopy young woman have any sense of dread??/ Enchantment, yuck for some, Nosferatu, German film Christopher Gans mit the French ooze creepy characters, beasts and the king of the beast monster he is, forlorn forgotten is the love element...which irritates me? The monster has descended into the forest, the trap a god of the forest or hades awaits the creature until he is so perceived animal and human combined. The dance of human, beast, wind, rush of forest creatures, feasts the eye and causes wonder. Why are readers, some movie goers (DVD), odd ball like myself all looking at the past through the eyes of the intelligentsia when imagination might excite the moment and creativity begins??? Very few individuals like to be outside of the group, societal behaviors create closed environments. Communication is lost...? The insight of Maria Tatar is that stories are written or repeated over and over, the lives amuse, frightful manias and sour old doles perhaps a mythic god or goddess, witch or alchemy, wise, stupidity, frank to the point of excusing oneself from more waste.