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Foreword to the Expanded Paperback Edition | ||
Acknowledgements | ||
Abbreviations | ||
Introduction | ||
Textual Note | ||
California | 3 | |
A Moment | 4 | |
The Blind Lead the Blind | 5 | |
Pardon | 5 | |
Dawn ('Far into the vast the mists grow dim') | 6 | |
On Seeing Some Dutch Pictures | 6 | |
Joy | 7 | |
Envoi ('You go') | 7 | |
Envoi No. 2 ('You go') | 8 | |
The Circus | 8 | |
Everest | 9 | |
A Dream | 10 | |
A February Dawn | 11 | |
A Rainy Afternoon | 11 | |
The Coming of Love | 12 | |
Nightfall ('Cool whisper of the trees') | 12 | |
Envoi ('Take up your load and go, lad') | 13 | |
To a Toadstool | 14 | |
To a Field-mouse | 14 | |
To a Small Buddha | 15 | |
On a Greek Tomb Relief | 15 | |
After Reading Keats' Ode | 15 | |
Belief | 16 | |
Sonnet ('This world is full of lovely things') | 16 | |
A Tale | 17 | |
Early Morning Bathing | 19 | |
Woods in Rain | 20 | |
Appletreewick | 21 | |
The Sower | 22 | |
The Lost Secret | 22 | |
Prayer | 23 | |
Autumn | 24 | |
The Dragon-fly | 25 | |
To a Child in Tears | 25 | |
November at Weybourne | 26 | |
Finis | 28 | |
Bawbee | 29 | |
The Old Lead-mine | 29 | |
The Old Mine | 31 | |
March Song | 31 | |
Alston Moor | 32 | |
Skyreholme Mill | 33 | |
September | 34 | |
The Plane Tree | 34 | |
Speech | 35 | |
Dawn ('On the cold waterfall, the flush of dawn gleams bright') | 36 | |
Song ('Past all your knowing') | 36 | |
March Winds | 37 | |
The Mill | 37 | |
Two Triolets | 38 | |
The Last Time | 38 | |
By the Fire | 39 | |
The North | 39 | |
We Sat | 40 | |
My Lady of the Wood | 41 | |
March | 42 | |
Envoi ('From the red chimneys smoke climbs slow and straight') | 43 | |
Song ('I have a little book') | 44 | |
Arthur's Quoit, Dyffryn | 44 | |
In the Nursery | 45 | |
Christ in Hades | 46 | |
Sonnet I ('There was desolate silence on the world') | 47 | |
Sonnet II ('It matters not that we shall cease to be') | 47 | |
Vision | 48 | |
Stone Walls ('Where do they travel to') | 49 | |
The Owl | 50 | |
Farglow | 51 | |
Inn Song | 51 | |
The Miner's Wife | 52 | |
In a Train | 53 | |
Rookhope (Weardale, Summer 1922) | 54 | |
The Cat | 54 | |
By the Gasworks, Solihull | 55 | |
The Robin | 55 | |
Early Morning ('Perched on a nettled stump he stands') | 56 | |
The Walk | 57 | |
Elegy ('Why was it that you gave us no warning') | 57 | |
The Old Colliery | 59 | |
The Rookery | 60 | |
After the Storm | 61 | |
The Tarn | 62 | |
Before ('I mark not without') | 63 | |
Buzzards | 64 | |
'There is so much that I can share with you' | 65 | |
After the Burial | 66 | |
The Traction-engine | 67 | |
J. S. Bach | 67 | |
The Candles Gutter Low | 68 | |
'Though thy rafters are grown rotten' | 69 | |
Allendale | 70 | |
At Parting ('Under the lamp's exhausted glare') | 71 | |
The Engine House | 72 | |
'Since the Autumn day' | 73 | |
The Pumping Engine, Cashwell | 74 | |
'Whenever I see for the first time' | 75 | |
The Mail-train, Crewe | 76 | |
'So I must go my way' | 78 | |
He Revisits the Spot | 78 | |
'The dew steams off the thatches' | 79 | |
'Now from far eastern wolds, the bay' | 79 | |
Nightfall ('As ghosts peer over a bedroom curtain') | 80 | |
Skyreholme Mill ('The mill-wheel never seems to tire') | 80 | |
Stone Walls ('One almost takes a hedge for granted') | 81 | |
'Like other men, when I go past' | 82 | |
'The crocus stars the border' | 83 | |
Damming Stream | 83 | |
Sunday Morning | 84 | |
A Visit | 85 | |
The Hidden Lane (Near Selbrigg, March 1925) | 85 | |
April in a Town | 87 | |
The Mill (Hempstead) | 87 | |
Elegy ('A wagtail splutters in the stream') | 90 | |
Job | 91 | |
Richard Jefferies | 92 | |
The Sawmill | 93 | |
'Below me Ticknall lay but in the light' | 94 | |
'The Road's Your Place' | 95 | |
Landscape | 96 | |
The Dying House | 96 | |
Friendship | 97 | |
The Sunken Lane | 98 | |
Punchard | 98 | |
To E. T. | 100 | |
The Canal, Froghall | 100 | |
Song ('The merriest cuckoo') | 101 | |
Sonnet ('April is here but when will Easter come?') | 102 | |
Memento Creatoris Tui | 103 | |
Earth's Praises | 104 | |
Daily Bread | 104 | |
The Dark Fiddler | 106 | |
Maria hat geholfen | 107 | |
Sunshine | 108 | |
Autumn Evening | 108 | |
The Carter's Funeral | 109 | |
Rain | 110 | |
In a Country Churchyard | 111 | |
The Gipsy Girl | 112 | |
Frost | 113 | |
Flowers and Stationmaster | 114 | |
Ploughing | 115 | |
Helen | 116 | |
'At last, down in the lane' | 117 | |
Christmas Eve | 118 | |
Trippers | 119 | |
[actual symbol not reproducible] | 120 | |
Progress | 121 | |
Waste | 121 | |
Alone | 122 | |
Motherhood | 123 | |
On Receiving a Christmas Card | 124 | |
The Photograph of a Boy in Costume | 124 | |
At the Maison Lyons | 125 | |
An Episode | 125 | |
Song ('The crocus stars the border') | 126 | |
Lead's the Best | 127 | |
Felo de se | 130 | |
Dethroned | 130 | |
April | 131 | |
The Letter | 132 | |
Chloe to Daphnis in Hyde Park | 134 | |
Thomas Prologizes | 136 | |
Pride ('Love's specious information') | 139 | |
At Parting ('Though Time now tears apart') | 140 | |
Portrait | 141 | |
Amor Vincit Omnia | 142 | |
Yes and No | 143 | |
Cinders | 143 | |
Thomas Epilogizes | 146 | |
Humpty Dumpty | 149 | |
Lovers' Lane | 153 | |
Bank Holiday | 156 | |
Last Bus, Saturday Night | 160 | |
Song ('Relation seemed ordained for us') | 161 | |
First Meeting | 162 | |
Consequences | 162 | |
In Due Season | 164 | |
Early Morning ('Earth rolls these houses out into the sun') | 165 | |
Tea-time in November | 166 | |
The Happy Tree | 167 | |
Winter Afternoon | 168 | |
Say Yes! | 169 | |
Ballad | 169 | |
The Last of the Old Year | 171 | |
Before ('Unkempt and furtive the wind crawls') | 172 | |
Encounter | 174 | |
After | 175 | |
Day-dreams of a Tourist | 176 | |
The Evolution of the Dragon | 177 | |
Pride ('When Little Claus meets Big Claus in the road') | 180 | |
Quique Amavit | 181 | |
Easter Monday | 183 | |
Narcissus | 185 | |
Hodge Looks toward London | 188 | |
Aware | 191 | |
Bach and the Lady | 192 | |
Extract | 193 | |
'Out of sight assuredly, not out of mind' | 194 | |
The Megalopsych | 199 | |
'The sprinkler on the lawn' | 205 | |
'I chose this lean country' | 210 | |
'On the frontier at dawn getting down' | 214 | |
'No trenchant parting this' | 215 | |
'Truly our fathers had the gout' | 216 | |
'We, knowing the family history' | 217 | |
'Who stands, the crux left of the watershed' | 218 | |
'Suppose they met, the inevitable procedure' | 220 | |
'The crowing of the cock' | 221 | |
'Nor was that final, for about that time' | 224 | |
'Deemed this an outpost, I' | 225 | |
'Because sap fell away' | 227 | |
'The mind to body spoke the whole night through' | 229 | |
'From the very first coming down' | 231 | |
'The four sat on in the bare room' | 232 | |
'The houses rolled into the sun' | 234 | |
'The colonel to be shot at dawn' | 234 | |
'To-night when a full storm surrounds the house' | 235 | |
'The weeks of blizzard over' | 236 | |
'Light strives with darkness, right with wrong' | 238 | |
'Control of the Passes was, he saw, the key' | 239 | |
'Taller to-day, we remember similar evenings' | 240 | |
'The spring will come' | 241 | |
'The summer quickens grass' | 242 | |
'"Grow thin by walking and go inland"' | 243 | |
'Some say that handsome raider still at large' | 244 | |
'Often the man, alone shut, shall consider' | 245 | |
'To throw away the key and walk away' | 246 | |
'The Spring unsettles sleeping partnerships' | 248 | |
'No, not from this life, not from this life is any' | 249 | |
App. 1 | 'Rotation' by 'Mystan Baudom' | 251 |
App. 2 | 253 | |
Index | 271 |
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