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Acknowledgments | ||
Introduction | ||
I Used to be Your Sweet Mama: Ideology, Sexuality, and Domesticity | 3 | |
Mama's Got the Blues: Rivals, Girlfriends, and Advisors | 42 | |
Here Come My Train: Traveling Themes and Women's Blues | 66 | |
Blame It on the Blues: Bessie Smith, Gertrude "Ma" Rainey, and the Politics of Blues Protest | 91 | |
Preaching the Blues: Spirituality and Self-consciousness | 120 | |
Up in Harlem Every Saturday Night: Blues and the Black Aesthetic | 138 | |
When a Woman Loves a Man: Social Implications of Billie Holiday's Love Songs | 161 | |
"Strange Fruit": Music and Social Consciousness | 181 | |
Lyrics to Songs Recorded by Gertrude "Ma" Rainey | 199 | |
Lyrics to Songs Recorded by Bessie Smith | 257 | |
Notes | 359 | |
Works Consulted | 393 | |
Index | 407 | |
Permissions Acknowledgments | 423 |
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Add Blues Legacies and Black Feminism: Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday, Jazz, it is widely accepted, is the signal original American contribution to world culture. Angela Davis shows us how the roots of that form in the blues must be viewed not only as a musical tradition but as a life-sustaining vehicle for an alternative bl, Blues Legacies and Black Feminism: Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday to the inventory that you are selling on WonderClubX
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Add Blues Legacies and Black Feminism: Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday, Jazz, it is widely accepted, is the signal original American contribution to world culture. Angela Davis shows us how the roots of that form in the blues must be viewed not only as a musical tradition but as a life-sustaining vehicle for an alternative bl, Blues Legacies and Black Feminism: Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday to your collection on WonderClub |