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| Introduction | 1 | |
| Acknowledgements | 4 | |
| Serious Business | 7 | |
| The Man Who Killed Himself | 11 | |
| The Shooting Party | 16 | |
| The Postman Always Rings Twice | 23 | |
| Therese Raquin | 27 | |
| A Kiss Before Dying | 33 | |
| Under the Knife | 40 | |
| The Maul and the Pear Tree | 49 | |
| 'A Case of Fratricide' | 57 | |
| 'Killings' | 60 | |
| 'Hitcher' | 70 | |
| 'Smoke' | 72 | |
| 'Pick-Up on Noon Street' | 81 | |
| The Killing of the Saints | 88 | |
| The Police in Different Voices | 101 | |
| Sir, You Bastard | 105 | |
| The Steam Pig | 115 | |
| Act of Darkness | 125 | |
| Cop Killer | 139 | |
| Murder at the Munition Works | 149 | |
| A Coat of Varnish | 156 | |
| The Erasers | 166 | |
| Maigret's Memoirs | 175 | |
| Fear and Loathing in Las Vegas | 183 | |
| Freaky Deaky | 187 | |
| Edgar Allan Poe | 197 | |
| Robert Louis Stevenson and Lloyd Osbourne | 197 | |
| Edmund Wilson | 198 | |
| Raymond Chandler | 198 | |
| G. K. Chesterton | 199 | |
| Philip Van Doren Stern | 199 | |
| T. S. Eliot | 200 | |
| Edmund Wilson | 200 | |
| James Joyce | 200 | |
| John Heath-Stubbs | 201 | |
| Antonio Gramsci | 202 | |
| Harrison R. Steeves | 204 | |
| Norman Shrapnel | 204 | |
| Allen Pryce-Jones | 206 | |
| Bertolt Brecht | 207 | |
| Joseph Wood Krutch | 207 | |
| T. S. Eliot | 207 | |
| Bertolt Brecht | 208 | |
| Friedrich Durrenmatt | 208 | |
| Paul Auster | 210 | |
| Charles Rycroft | 211 | |
| Umberto Eco | 213 | |
| Bertolt Brecht | 213 | |
| Michael Butor | 214 | |
| W. H. Auden | 215 | |
| Pierre Weisz | 216 | |
| Harold Nicholson | 217 | |
| James Thurber | 217 | |
| Raymond Queneau | 218 | |
| Jean-Paul Sartre | 219 | |
| S. J. Perelman | 219 | |
| Paul Cain | 223 | |
| Northrop Frye | 223 | |
| Uncommon Murderers | 227 | |
| 'The Tell-Tale Heart' | 231 | |
| 'Porphyria's Lover' | 236 | |
| The Man Who Watched the Trains Go By | 238 | |
| The Vatican Cellars | 242 | |
| The Picture of Dorian Gray | 247 | |
| A Kiss of Fire | 253 | |
| Reputation for a Song | 259 | |
| Verdict of Twelve | 270 | |
| A Pin to See the Peepshow | 283 | |
| The Face on the Cutting-Room Floor | 296 | |
| 'Model Village' | 301 | |
| The Thirty-First of February | 303 | |
| 'A Staffordshire Murderer' | 309 | |
| Malice Aforethought | 311 | |
| The Dangerous Edge of Things | 325 | |
| The Lodger | 330 | |
| 'The Killers' | 340 | |
| The Glass Key | 347 | |
| Squeeze Play | 355 | |
| Trust | 360 | |
| The Lady in the Lake | 366 | |
| A Red Death | 373 | |
| The Second Curtain | 380 | |
| Plain Murder | 385 | |
| We, the Accused | 393 | |
| A Dark-Adapted Eye | 402 | |
| In a Lonely Place | 408 | |
| Strangers on a Train | 412 | |
| Phantom Lady | 421 | |
| Index | 433 | |
| Bibliography and Permissions | 435 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
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Add The Vintage Book of Classic Crime, The great Raymond Chandler once noted that the detective or mystery story . . . has become so thoroughly explored that the real problem for a writer now is to avoid writing a mystery while appearing to do so. And that is precisely what the contributors , The Vintage Book of Classic Crime to the inventory that you are selling on WonderClubX
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Add The Vintage Book of Classic Crime, The great Raymond Chandler once noted that the detective or mystery story . . . has become so thoroughly explored that the real problem for a writer now is to avoid writing a mystery while appearing to do so. And that is precisely what the contributors , The Vintage Book of Classic Crime to your collection on WonderClub |