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Moscow, 1927
Dream Kitsch
The Political Groupings of Russian Writers
On the Present Situation of Russian Film
Reply to Oscar A. H. Schmitz
Introductory Remarks on a Series for L'Humanité
Moscow
Review of Gladkov's Cement
Journalism
Gottfried Keller
Diary of my Journey to the Loire
Review of Soupault's le Coeur d'or
The Idea of a Mystery
Review of Hessel's Heimliches Berlin
A State Monopoly on Pornography
Image Imperatives, 1928
Curriculum Vitae (III)
André Gide and Germany
Main Features of My Second Impression of Hashish
Conversation with André Gide
Old Toys
Hugo von Hofmannsthal's der Turm
Moonlit Nights on the rue la Boétie
Karl Kraus Reads Offenbach
The Cultural History of Toys
Toys and Play
Everything is Thought
Books by the Mentally Ill
Review of the Mendelssohns' der Mensch in der Handschrift
Food Fair
Paris as Goddess
The Path to Success, in Thirteen Theses
Weimar
The Fireside Saga
News about Flowers
Review of Green's Adrienne Mesurat
Goethe
Karl Kraus (Fragment)
The Return of the Flâneur, 1929
Chaplin
Program for a Proletarian Children's Theater
Surrealism
Chaplin in Retrospect
Chambermaids' Romances of the Past Century
Marseilles
On the Image of Proust
The Great Art of Making Things Seem Closer Together
Milieu Theoreticians
Children's Literature
Robert Walser
The Return of the Flâneur
Short Shadows (I)
A Communist Pedagogy
Notes on a Conversation with Béla Balász
Some Remarks on Folk Art
Tip for Patrons
Crisis and Critique, 1930
Notes (II)
Notes (III)
Program for Literary Criticism
Notes on a Theory of Gambling
The Crisis of the Novel
An Outsider Makes His Mark
Theories of German Fascism
Demonic Berlin
Hashish, Beginning of March 1930
Julien Green
Paris Diary
Review of Kracauer's die Angestellten
Food
Bert Brecht
The First Form of Criticism that Refuses to Judge
From the Brecht Commentary
Against a Masterpiece
Myslovice—Braunschweig—Marseilles
A Critique of the Publishing Industry
Graphology Old and New
Characterization of the New Generation
The Need to Take the Mediating Character of Bourgeois Writing Seriously
False Criticism
Antitheses
The Destructive Character, 1931
In Parallel with My Actual Diary
Criticism as the Fundamental Discipline of Literary History
Critique of the New Objectivity
We Ought to Reexamine the Link between Teaching and Research
Hofmannsthal and Aleco Dossena
Left-Wing Melancholy
Theological Criticism
Karl Kraus
Literary History and the Study of Literature
German Letters
May-June 1931
Unpacking My Library
Franz Kafka: Beim Bau der Chinesischen Mauer
Diary from August 7, 1931, to the Day of My Death
Little History of Photography
Paul Valéry
The Lisbon Earthquake
The Destructive Character
Reflections on Radio
Mickey Mouse
In Almost Every Example We Have of Materialist Literary History
The Task of the Critic
Ibizan Sequence, 1932
Experience
On Ships, Mine Shafts, and Crucifixes in Bottles
On the Trail of Old Letters
A Family Drama in the Epic Theater
The Railway Disaster at the Firth of Tay
Privileged Thinking
Excavation and Memory
Oedipus, or Rational Myth
On Proverbs
Theater and Radio
Ibizan Sequence
A Berlin Chronicle
Spain, 1932
Light from Obscurantists
The Handkerchief
In the Sun
The Rigorous Study of Art
Hashish in Marseilles
The Eve of Departure
On Astrology
"Try to Ensure that Everything in Life Has a Consequence"
Notes (IV)
Thought Figures, 1933
The Lamp
Doctrine of the Similar
Short Shadows (II)
Kierkegaard
Stefan George in Retrospect
Agesilaus Santander (First Version)
Agesilaus Santander (Second Version)
Antitheses Concerning Word and Name
On the Mimetic Faculty
Thought Figures
Little Tricks of the Trade
Experience and Poverty
The Author's Producer, 1934
Once Is as Good as Never
The Newspaper
Venal but Unusable
The Present Social Situation of the French Writer
The Author as Producer
Notes from Svendborg, Summer 1934
Hitler's Diminished Masculinity
Franz Kafka
A Note on the Texts
Chronology, 1927-1934
Index
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Add Walter Benjamin, 1927-1934, In the frenzied final years of the Weimar Republic, amid economic collapse and mourning political catastrophe, Walter Benjamin emerged as the most original practicing literary critic and public intellectual in the German-speaking world. Volume 2 of Select, Walter Benjamin, 1927-1934 to the inventory that you are selling on WonderClubX
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Add Walter Benjamin, 1927-1934, In the frenzied final years of the Weimar Republic, amid economic collapse and mourning political catastrophe, Walter Benjamin emerged as the most original practicing literary critic and public intellectual in the German-speaking world. Volume 2 of Select, Walter Benjamin, 1927-1934 to your collection on WonderClub |