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Rimbaud's Theatre of the Self Book

Rimbaud's Theatre of the Self
Rimbaud's Theatre of the Self, In a new interpretation of a poet who has swayed the course of modern poetry—in France and elsewhere—James Lawler focuses on what he demonstrates is the crux of Rimbaud's imagination: the masks and adopted personas with which he regularly tested his ident, Rimbaud's Theatre of the Self has a rating of 4.5 stars
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Rimbaud's Theatre of the Self, In a new interpretation of a poet who has swayed the course of modern poetry—in France and elsewhere—James Lawler focuses on what he demonstrates is the crux of Rimbaud's imagination: the masks and adopted personas with which he regularly tested his ident, Rimbaud's Theatre of the Self
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  • Rimbaud's Theatre of the Self
  • Written by author James Lawler
  • Published by Harvard University Press, March 1992
  • In a new interpretation of a poet who has swayed the course of modern poetry—in France and elsewhere—James Lawler focuses on what he demonstrates is the crux of Rimbaud's imagination: the masks and adopted personas with which he regularly tested his ident
  • In a new interpretation of a poet who has swayed the course of modern poetry—in France and elsewhere—James Lawler focuses on what he demonstrates is the crux of Rimbaud's imagination: the masks and adopted personas with which he regularly te
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Authors

Introduction1
The Poet as Transgressor: "Le Bateau ivre"9
The Poet as Inventor: "Voyelles"43
The Poet as Memorialist: "Memoire"54
The Poet as Ingenu: "Michel et Christine"67
The Poet as Self-Creator: "Enfance"79
The Poet as Self-Critic: "Jeunesse"95
The Poet as Self-Ironist: "Vies"111
The Poet as Floodmaker: "Apres le Deluge"127
The Poet as Oriental Storyteller: "Conte"141
The Poet as Dreamer: "Veillees"157
The Poet as Agonist: "Angoisse"173
The Poet as Lover: "Being Beauteous", "Devotion"184
Conclusion201
Notes221
Index243


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Rimbaud's Theatre of the Self, In a new interpretation of a poet who has swayed the course of modern poetry—in France and elsewhere—James Lawler focuses on what he demonstrates is the crux of Rimbaud's imagination: the masks and adopted personas with which he regularly tested his ident, Rimbaud's Theatre of the Self

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Rimbaud's Theatre of the Self, In a new interpretation of a poet who has swayed the course of modern poetry—in France and elsewhere—James Lawler focuses on what he demonstrates is the crux of Rimbaud's imagination: the masks and adopted personas with which he regularly tested his ident, Rimbaud's Theatre of the Self

Rimbaud's Theatre of the Self

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Rimbaud's Theatre of the Self, In a new interpretation of a poet who has swayed the course of modern poetry—in France and elsewhere—James Lawler focuses on what he demonstrates is the crux of Rimbaud's imagination: the masks and adopted personas with which he regularly tested his ident, Rimbaud's Theatre of the Self

Rimbaud's Theatre of the Self

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