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Book Categories |
1 | Prologue | 1 |
2 | Inching into the profession | 4 |
3 | The pleasures of imitation | 7 |
4 | An actor's calling | 13 |
5 | The anti-theatrical prejudice | 20 |
6 | How to act in college | 26 |
7 | The case for advanced training | 31 |
8 | How to act in drama school | 38 |
9 | Into the "real world" | 45 |
10 | When worlds collide | 50 |
11 | Looking for work | 54 |
12 | Some exemplary careers | 60 |
13 | The transforming actor | 77 |
14 | The actor's intelligence | 85 |
15 | Film versus theatre | 89 |
16 | The repertory ideal | 95 |
17 | Actors and management | 104 |
18 | Actors and audiences | 115 |
19 | Actors and directors | 23 |
20 | Actors and auteurs | 136 |
21 | Actors and playwrights | 146 |
22 | Actors and designers | 158 |
23 | Actors and coaches | 170 |
24 | Actors and critics | 184 |
25 | Ephemeris, Ephemeris | 207 |
26 | Epilogue | 213 |
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