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Book Categories |
1 | The symbolism of poetry (1900) | 29 |
2 | Three letters (1903, 1907, 1925) | 35 |
3 | Creative writers and day-dreaming (1908) | 41 |
4 | Romanticism and classicism (1911) | 47 |
5 | Technical manifesto of futurist literature (1912) | 56 |
6 | Poet Yeats (1912) | 61 |
7 | Robert Frost (1914) | 65 |
8 | Poetry as spoken art (1917) | 69 |
9 | The new spirit and the poets (1917) | 75 |
10 | A retrospect (1918) | 83 |
11 | Note on poetry (1919) | 91 |
12 | On poetry and On contemporary poetry (1919, 1920) | 94 |
13 | Tradition and the individual talent and reflections on contemporary poetry (1919) | 97 |
14 | Preface to New poems (1920) | 106 |
15 | Prologue to Kora in hell (1920) | 111 |
16 | The Chinese written character as the medium for poetry (1920) | 116 |
17 | Modern poetry (1925) | 131 |
18 | General aims and theories (1925) | 135 |
19 | The Negro artist and the racial mountain ( 1926) | 139 |
20 | How are verses made? (1926) | 144 |
21 | Science and poetry (1926) | 152 |
22 | A survey of modernist poetry (1927) | 160 |
23 | Seven types of ambiguity (1930) | 169 |
24 | The poetic process (1931) | 175 |
25 | Poetry's evidence and The automatic message (1932, 1933) | 182 |
26 | New bearings in English poetry (1932) | 192 |
27 | Play and theory of the Duende (1933) | 201 |
28 | Poetry and grammar (1935) | 208 |
29 | Poets with history and poets without history (1935) | 215 |
30 | Modernism (1938) | 223 |
31 | The figure a poem makes (1939) | 234 |
32 | Poetry and abstract thought (1939) | 237 |
33 | Three lectures on poetry (1941, 1944, 1946) | 247 |
34 | The noble rider and the sound of words (1942) | 256 |
35 | The end of the line (1942) | 268 |
36 | Poetry and knowledge (1945) | 275 |
37 | Projective verse (1950) | 288 |
38 | A statement for poetry (1950) | 296 |
39 | Is there any poetic writing? (1953) | 301 |
40 | The concrete universal (1954) | 307 |
41 | Excerpts from seminars and papers (1954, 1955, 1957) | 315 |
42 | What is modern poetry and The reek of the human (1955)? | 323 |
43 | Mallarme's experience (1955) | 330 |
44 | The pleasure principle and Writing poems (1957, 1964) | 337 |
45 | On lyric poetry and society (1957) | 342 |
46 | Closing statement : linguistics and poetics (1960) | 350 |
47 | What I see in The maximus poems (1961) | 361 |
48 | Personism : a manifesto (1961) | 367 |
49 | When the mode of the music changes and Abstraction in poetry (1961, 1962) | 370 |
50 | The poet and the city (1962) | 377 |
51 | Hunting is not those heads on the wall and State/Meant (1964, 1965) | 385 |
52 | A sense of measure ( 1964) | 390 |
53 | The invisible avant-garde (1968) | 393 |
54 | Closure and anti-closure in modern poetry (1968) | 399 |
55 | Poetic language, poetics of language (1969) | 408 |
56 | Intentional structure of the romantic image (1970) | 413 |
57 | The muse of history ( 1974) | 420 |
58 | The ethics of linguistics (1974) | 437 |
59 | A modest proposal (1976) | 447 |
60 | Continuity in language (1978) | 456 |
61 | Poetry as "menace" and "atonement" (1978) | 464 |
62 | The Poe-etic effect (1980) | 477 |
63 | The dollar value of poetry (1983) | 491 |
64 | On hope (1983) | 494 |
65 | Blood, bread and poetry (1984) | 503 |
66 | Prologue : the deed of writing (1987) | 514 |
67 | "Even under the rine of terror..." (1988) | 523 |
68 | Che cos'e la poesia? (1988) | 533 |
69 | The homosexual lyric (1990) | 538 |
70 | Avant-garde or endgame? (1991) | 547 |
71 | The woman poet : her dilemma (1995) | 559 |
72 | The redress of poetry (1995) | 567 |
73 | Introduction, Soul says (1995) | 574 |
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Poetry in Theory: An Anthology 1900-2000, Poetry in Theory: An Anthology 1900-2000 brings together key critical and theoretical texts from the twentieth century which have animated debates about modern poetry.
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Poetry in Theory: An Anthology 1900-2000, Poetry in Theory: An Anthology 1900-2000 brings together key critical and theoretical texts from the twentieth century which have animated debates about modern poetry.
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