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Introduction | ||
Editor's Note | ||
Editorial Principles | ||
Acknowledgements | ||
On the Prose-Style of Poets | 1 | |
On the Conversation of Authors | 16 | |
The Same Subject Continued | 29 | |
On Reason and Imagination | 39 | |
On Application to Study | 53 | |
On the Old Age of Artists | 66 | |
On Envy (A Dialogue) | 77 | |
Whether Genius is Conscious of its Powers? | 89 | |
On the Pleasure of Hating | 102 | |
On Egotism | 114 | |
Hot and Cold | 128 | |
On the Difference Between Writing and Speaking | 140 | |
On a Portrait of an English Lady, by Vandyke | 161 | |
Madame Paula and Mademoiselle Mars | 178 | |
App. I | Advertisement to Hazlitt's Table Talk (Paris, 1825) | 191 |
App. II | 'A Half-length': an uncollected Hazlitt portrait | 193 |
App. III | Reynolds's account of Hazlitt, 28 April 1817 | 198 |
Index | 200 |
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Plain Speaker, In this selection from the two-volume Plain Speaker, Tom Paulin and Duncan Wu have given priority to essays that address some of the most important critical issues both in romantic studies today and the poetics of prose.
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Plain Speaker, In this selection from the two-volume Plain Speaker, Tom Paulin and Duncan Wu have given priority to essays that address some of the most important critical issues both in romantic studies today and the poetics of prose.
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