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Foreword | ||
Acknowledgements | ||
Introduction | 1 | |
1 | Problems of the Sign: Gerard Manley Hopkins (1844-89) | 10 |
1 | The changing concepts of the sign | 10 |
2 | A poetry of struggle | 12 |
3 | Signification as appropriation: 'inscape' | 13 |
4 | Signification as distancing | 21 |
5 | The empty sign: signification and 'selving' | 27 |
6 | Modernist Hopkins | 33 |
2 | The Symbolic Approach and its Limits: W.B. Yeats (1865-1939) | 37 |
1 | The functions of the symbol | 37 |
2 | Symbols and symbolism in Yeats's early poems | 39 |
3 | Objective symbolism | 44 |
4 | Subjective symbolism | 46 |
5 | Symbols and history | 50 |
6 | The limit of the symbol: imagination | 55 |
3 | From Metaphor to Metonymy: T.S. Eliot (1888-1965) | 61 |
1 | The birth of modernism | 61 |
2 | The structure of the metaphor | 63 |
3 | Metaphors in Eliot's early poetry | 65 |
4 | The structure and effects of the metonymy | 69 |
5 | Absence as structure: The Waste Land | 73 |
6 | From network to pattern: Four Quartets | 80 |
4 | Modernism and Myth: Ezra Pound (1885-1972) | 88 |
1 | Myth as frame and supplement | 88 |
2 | Personae and myth in Pound's early poems | 93 |
3 | Fragments of culture | 99 |
4 | Imagism as anti-mythical myth-making | 106 |
5 | The trap of tradition: Hugh Selwyn Mauberley | 110 |
6 | The materiality of The Cantos | 113 |
7 | The order of The Cantos: archive and periplous | 115 |
8 | Self-inflicted blindness and the power of modernism | 118 |
5 | Modernist Poetry as a Universal Compensation Strategy | 123 |
1 | Internal problems and lost outsides | 123 |
2 | Strategies of stabilisation | 124 |
3 | Approaching the limits of modernism | 129 |
6 | Modernist Poetry and Psychoanalysis | 133 |
1 | Poetry and psychoanalysis: intersections of the modernist project | 133 |
2 | Poetry's synthetic consciousness and psychoanalytic concepts of the self | 136 |
3 | The writer and his doubles | 141 |
4 | Metaphor, metonymy, symbol and their psychoanalytic counterparts | 148 |
5 | Signs of desire / the desire of signs | 167 |
7 | Towards an Economy of the Modernist Poem | 172 |
1 | The text as an economy of meaning | 172 |
2 | The stability of the mirror | 173 |
3 | Artificial creation: symbolic values | 179 |
4 | Stable investments: reification | 185 |
5 | Conspicuous waste: loss and dissolution as limits of modernism | 191 |
8 | Modernist Poetry and Language Philosophy | 207 |
1 | Cognition and language | 207 |
2 | Nietzsche's radical redefinition of truth | 209 |
3 | Wittgenstein's distrust of language | 216 |
4 | Heidegger: language as the house of Being | 222 |
Defying Conclusions: Opening up Modernism | 237 | |
Bibliography | 247 | |
Index | 264 |
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