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Book Categories |
Illustrations | ||
Chronology | ||
Foreword | ||
1 | 'How quickly life goes on': From Karajan to Abbado | 1 |
2 | 'That's wonderful': From Furtwangler to Karajan | 6 |
3 | 'You'll become a conductor': Bernhard Paumgartner on Karajan | 15 |
4 | 'Brown clouds': The unpolitical opportunist | 18 |
5 | 'More or less for life': The controversial contract | 25 |
6 | 'Eight wild years': Director of the Vienna Opera | 30 |
7 | 'The Karajan Circus': Berlin's Neue Philharmonie | 43 |
8 | 'A perfectly outrageous affront': Philharmonic manoeuvres in Berlin and Vienna | 46 |
9 | 'The best and finest place to work': Karajan at sixty | 52 |
10 | 'It's not because of the speed': The Herbert von Karajan Foundation | 54 |
11 | 'Completely self-taught': The first conducting competition | 62 |
12 | 'In the service of beauty': The first competition for youth orchestras | 67 |
13 | 'How do people listen to music?': Panel discussion at the College of Music | 69 |
14 | 'Quality comes first': First interview with Karajan | 76 |
15 | As others see him: Karajan at sixty-five | 83 |
16 | 'I always look grim': Karajan's dealings with press photographers | 101 |
17 | 'That's not so funny': The third youth orchestra competition | 107 |
18 | 'My career went very slowly': Second interview with Karajan | 109 |
19 | 'He's the Bible for me': Jacek Kasprzyk on Karajan | 118 |
20 | 'A diplomat in music': Wolfgang Stresemann | 120 |
21 | 'As long as I can still hold a baton': The fiftieth anniversary of Karajan's conducting debut | 137 |
22 | 'A firm of marriage-brokers': The sixth conducting competition | 141 |
23 | 'The future lies before us': Twenty-five years as chief conductor of the BPO | 150 |
24 | 'Lifeblood': Karl Bohm: an attempt at an assessment | 155 |
25 | 'Nothing's regular': Emil Maas on the internal life of the Philharmonic | 158 |
26 | 'Let's wait and see': A portrait of Peter Girth | 170 |
27 | 'I don't see anything at all': Third interview with Karajan | 178 |
28 | 'That's my final word on the subject': The Berlin Philharmonic's hundredth anniversary | 187 |
29 | 'All that remains is a monologue': Sabine Meyer | 191 |
30 | 'May harmony reign': The Chamber-Music Room | 196 |
31 | 'Interminable tensions': Karajan abandons Sabine Meyer | 200 |
32 | 'The orchestra's self-respect': The end of Karajan's autocracy | 203 |
33 | 'A damned sense of duty and obligation': Wolfgang Stresemann reappointed intendant | 206 |
34 | 'Et in terra pax': Reconciliation through Bach's Mass in B minor | 210 |
35 | 'The right solutions have always been found': Wolfgang Stresemann's final farewell | 213 |
36 | 'I may be struck down tomorrow': Settling old scores | 216 |
37 | 'Little more than a spanner in the works': Retirement and death | 222 |
Select Bibliography | 228 | |
Index | 229 |
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Add The Karajan dossier, Herbert von Karajan, one of the most brilliant and controversial conductors of the twentieth century, died in 1989. This is an intimate scrap-book portrait of the man and, by association, an account of the internal workings of the world's most successful , The Karajan dossier to the inventory that you are selling on WonderClubX
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Add The Karajan dossier, Herbert von Karajan, one of the most brilliant and controversial conductors of the twentieth century, died in 1989. This is an intimate scrap-book portrait of the man and, by association, an account of the internal workings of the world's most successful , The Karajan dossier to your collection on WonderClub |