The house in November; The other sky Book

For a review of the individual stories, please visit Casual Debris.

In the midst of the Depression, Edmond Hamilton was approached by publisher Philip Allan to put together a hardcover collection of his short stories. This was an unusual move by the British publisher, since few books made of stories gathered from the pulps were given the hardcover treatment. In fact, it would be another thirteen years before Hamilton would see his next hardcover publication: the novel The Star Kings (Frederick Fell, October 1949). Hamilton's blend of speculation and adventure was popular escapism for the time, and in the ten years from his first story publication in 1926, he had already published a vast number of works and saw print in most of the pulps.

Hamilton's popularity began shortly after his first story publication in August 1926 ("The Monster-God of Mamurth in Weird Tales), and his productivity in the next few years is impressive. His fiction was fuelled by ideas, interesting and often far-fetched premises that were brought forth most often in an adventurous setting. His stories were conventional and little effort was placed on character; instead he focused on elevating his fantasy-science premises through an energetic narrative. Most often he relied on the conventions of the period, such as using a framing narrative in which a reliable, rational and highly average third party re-tells the fantastic tale of an adventurer or mad scientist, or the Archaeological tale of lost civilizations. He included few female characters, admittedly few characters in total, and normally avoided romantic sub-plots: in this collection of six stories, only three women appear and only one is an active character while the third is the mother of the second who is only mentioned. The men are either mad scientists, mad adventurers, ambitious reporters, space men, or simply the average witness or re-layer of the incredible events. As such most of the stories read quickly, similarly, and offer little aside from the actual premise for a reader to recall post reading.

The stories presented in this anthology are each a mix of adventure and speculation. The interesting idea is weaved into a high octane plot, usually a combination of fantasy and horror more than of science fiction. The speculative ideas, based on facets such as evolution, the expanding universe and the arctic circle, have some scientific basis, but the technology and presentation help to date the publication of these works. Overall it is an interesting and somewhat enjoyable bit of pulp history, though there also exists some overwrought silliness amid the fun, and one story in particular that has over time become near enraging in its presentation.