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The Lied in context : a chronology | ||
Pt. I | Introducing a genre | |
Introduction : why the Lied? | 3 | |
1 | In the beginning was poetry | 12 |
Pt. II | The birth and early history of a genre in the Age of Enlightenment | |
2 | The eighteenth-century Lied | 35 |
3 | The Lieder of Carl Philipp Emanuel Bach, Haydn, Mozart, and Beethoven | 63 |
Pt. III | The nineteenth century : issues of style and development | |
4 | The Lieder of Schubert | 85 |
5 | The early nineteenth-century song cycle | 101 |
6 | Schumann : reconfiguring the Lied | 120 |
7 | A multitude of voices : the Lied at mid century | 142 |
8 | The Lieder of Liszt | 168 |
9 | The Lieder of Brahms | 185 |
10 | Tradition and innovation : the Lieder of Hugo Wolf | 204 |
11 | Beyond song : instrumental transformations and adaptations of the Lied from Schubert to Mahler | 223 |
Pt. IV | Into the twentieth century | |
12 | The Lieder of Mahler and Richard Strauss | 245 |
13 | The Lied in the modern age : to mid century | 273 |
Pt. V | Reception and performance | |
14 | The circulation of the Lied : the double life of an artwork and a commodity | 301 |
15 | The Lied in performance | 315 |
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