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Pop Art and the Origins of Post-Modernism Book

Pop Art and the Origins of Post-Modernism
Pop Art and the Origins of Post-Modernism, <i>Pop Art and the Origins of Post-Modernism</i> examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of New York-based critics such as Leo Steinberg, Susan Sontag, and Max Kozloff, Sylvia Harrison demonstrates how t, Pop Art and the Origins of Post-Modernism has a rating of 4 stars
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Pop Art and the Origins of Post-Modernism, Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of New York-based critics such as Leo Steinberg, Susan Sontag, and Max Kozloff, Sylvia Harrison demonstrates how t, Pop Art and the Origins of Post-Modernism
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  • Pop Art and the Origins of Post-Modernism
  • Written by author Sylvia Harrison
  • Published by Cambridge University Press, August 2001
  • Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of New York-based critics such as Leo Steinberg, Susan Sontag, and Max Kozloff, Sylvia Harrison demonstrates how t
  • Examines the critical reception of Pop Art, identifying the American roots of deconstructive post-modernism.
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Book Categories

Authors

Introduction1
Pt. 1Theoretical Framework
1Post-Modernist Assumptions11
Pt. 2"Social" Critics
2Lawrence Alloway: Pop Art and the "Pop Art-Fine Art Continuum"37
3Harold Rosenberg: Pop Art and the "De-definition" of Both Art and "Self"68
4Leo Steinberg: Pop, "Post-Modernist" Painting, and the Flatbed Picture Plane96
Pt. 3"Philosophical" Critics
5Barbara Rose: Pop, Pragmatism, and "Prophetic Pragmatism"115
6Max Kozloff: A Phenomenological Solution to "Warholism" and Its Disenfranchisement of the Critic's Interpretive and Evaluative Roles146
Pt. 4"Cultural" Critics
7Susan Sontag: Pop, the Aesthetics of Silence, and the New Sensibility171
Conclusion208
Notes223
Index275


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Pop Art and the Origins of Post-Modernism, <i>Pop Art and the Origins of Post-Modernism</i> examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of New York-based critics such as Leo Steinberg, Susan Sontag, and Max Kozloff, Sylvia Harrison demonstrates how t, Pop Art and the Origins of Post-Modernism

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Pop Art and the Origins of Post-Modernism, <i>Pop Art and the Origins of Post-Modernism</i> examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of New York-based critics such as Leo Steinberg, Susan Sontag, and Max Kozloff, Sylvia Harrison demonstrates how t, Pop Art and the Origins of Post-Modernism

Pop Art and the Origins of Post-Modernism

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Pop Art and the Origins of Post-Modernism, <i>Pop Art and the Origins of Post-Modernism</i> examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of New York-based critics such as Leo Steinberg, Susan Sontag, and Max Kozloff, Sylvia Harrison demonstrates how t, Pop Art and the Origins of Post-Modernism

Pop Art and the Origins of Post-Modernism

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