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French Modernisms: Perspectives on Art Before, During, and After Vichy Book

French Modernisms: Perspectives on Art Before, During, and After Vichy
French Modernisms: Perspectives on Art Before, During, and After Vichy, French Modernisms: Perspectives on Art Before, During, and After Vichy examines the close link between art and politics in France from 1935 to 1970. In essays on the exhibition and criticism of modern art, Michèle Cone provides a broader context for the x, French Modernisms: Perspectives on Art Before, During, and After Vichy has a rating of 2.5 stars
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French Modernisms: Perspectives on Art Before, During, and After Vichy, French Modernisms: Perspectives on Art Before, During, and After Vichy examines the close link between art and politics in France from 1935 to 1970. In essays on the exhibition and criticism of modern art, Michèle Cone provides a broader context for the x, French Modernisms: Perspectives on Art Before, During, and After Vichy
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  • French Modernisms: Perspectives on Art Before, During, and After Vichy
  • Written by author Michele C. Cone
  • Published by Cambridge University Press, March 2001
  • French Modernisms: Perspectives on Art Before, During, and After Vichy examines the close link between art and politics in France from 1935 to 1970. In essays on the exhibition and criticism of modern art, Michèle Cone provides a broader context for the x
  • Argues that the art establishment's promotion of Vichy-era values led to the decline of French art.
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Introduction: art, nationality and national tradition: the case of France from 1937 to 1968;

1. Collaboration foretold: French art of the present in Hitler's Berlin;
2. Decadence and renewal in the decorative arts under Vichy;
3. Vampires, viruses, and Lucien Rebatet: antisemitic art criticism during Vichy;
4. Tricolor painting in Vichy France;
5. Jean Paulhan and his artist friends;
6. The Picasso album: a 1943 landmark of artistic resistance;
7. Wartime guilt: French furniture of the 1940s;
8. The mature Richier, the young César: expressionist confluences in French postwar sculpture;
9. Pierre restany, the French fifties and the Americanization of the everyday; Epilogue; Hitler equals de Gaulle in a May '68 poster.


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French Modernisms: Perspectives on Art Before, During, and After Vichy, French Modernisms: Perspectives on Art Before, During, and After Vichy examines the close link between art and politics in France from 1935 to 1970. In essays on the exhibition and criticism of modern art, Michèle Cone provides a broader context for the x, French Modernisms: Perspectives on Art Before, During, and After Vichy

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French Modernisms: Perspectives on Art Before, During, and After Vichy, French Modernisms: Perspectives on Art Before, During, and After Vichy examines the close link between art and politics in France from 1935 to 1970. In essays on the exhibition and criticism of modern art, Michèle Cone provides a broader context for the x, French Modernisms: Perspectives on Art Before, During, and After Vichy

French Modernisms: Perspectives on Art Before, During, and After Vichy

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French Modernisms: Perspectives on Art Before, During, and After Vichy, French Modernisms: Perspectives on Art Before, During, and After Vichy examines the close link between art and politics in France from 1935 to 1970. In essays on the exhibition and criticism of modern art, Michèle Cone provides a broader context for the x, French Modernisms: Perspectives on Art Before, During, and After Vichy

French Modernisms: Perspectives on Art Before, During, and After Vichy

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