Drawing Acts : Studies in Graphic Expression and Representation Book

	List of Illustrations
	Preface
1	Criticism, Connoisseurship, and the Phenomenology of Drawing	1
1	Ancient Lines	4
2	The Desire of the Line	9
3	The Phenomenology of Drawing	13
4	The Physiognomy of the Line	17
5	The Legacy of Connoisseurship	18
6	Beyond Connoisseurship	22
2	Disegno: The Invention of an Art	24
1	Alberti's Finding	25
2	Invenzioni and Invention	32
3	Leonardo's Discovery	50
4	The Father of the Arts	54
3	The Handwriting of the Self: Leonardo da Vinci	61
1	Inscribing the World	62
2	A Generation Drawing	67
3	Marginalia	79
4	Remembered Lines	88
5	Drawing and Knowing	97
4	Raphael and the Calligraphy of Classicism	112
1	The Circling Hand	113
2	Inflected Circles	121
3	Linear Grammar/Linear Grace	124
4	Connoisseurship of the Line	136
5	Penmanship	139
5	Disegni a stampa: The Printed Line	145
1	The Hand and the Press	146
2	The Line Transformed	158
3	The Sketched Plate	169
6	Michelangelo: The Urgent Gesture	182
1	Father of the Arts	184
2	Drawing for an Other	185
3	Making as Meaning	200
4	Drawing as Prayer	208
7	Rembrandt's Reach	220
1	The Mime of Drawing	221
2	The Physiology of Style	240
3	The Body in the Landscape	254
8	Capriccio: The Antic Line	265
1	Linear Analysis: Hogarth's Serpentine	266
2	Col sporcar si trova: Piranesi's Spiral	278
3	Invenzione to Capriccio	298
4	Story Lines of the Tiepolo	302
	Epilogue: Picasso's Rehearsal	329
	Notes	343
	Bibliography of Works Cited	389
	Index	405