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List of figures; Acknowledgements;
1. Introduction;
2. Improvisation and characters;
3. Residual orality in early modern Italy and the commedia dell'arte;
4. Venetian buffoni;
5. Early male actors;
6. Early actresses;
7. Zanni texts, 1576-1588;
8. Conclusions and caprices: early texts of the Dottore and Pantalone;
9. Tristano Martinelli: a company buffone;
10. Theatrical and literary 'composition' in Francesco Andreini and Flaminio Scala;
11. The generation of Cecchini: technical, moral and dramaturgical publications; Notes; Bibliography.
| Price | Condition | Delivery | Seller | Action |
| $103.00 | Digital |
| WonderClub |
Mark Emory
reviewed Performance and Literature in the Commedia dell'Arte on April 21, 2013
Performance and Literature in the Commedia dell'Arte
It's not an area that I knew much about before reading this book but found it at work as an e-book, designed to be read by drama students I presume. I thought that this was interesting, especially the sections on actresses in the days before the silver screen. I'd recommend this to anyone interested in acting in general - not just to drama students.
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Add Performance and Literature in the Commedia dell'Arte, The actors of the commedia dell'arte (the sixteenth-century Italian professional theater) usually did not perform from scripted drama. They improvised their performances from a shared plot and thorough knowledge of individual character roles. Robert Henke, Performance and Literature in the Commedia dell'Arte to the inventory that you are selling on WonderClubX
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Add Performance and Literature in the Commedia dell'Arte, The actors of the commedia dell'arte (the sixteenth-century Italian professional theater) usually did not perform from scripted drama. They improvised their performances from a shared plot and thorough knowledge of individual character roles. Robert Henke, Performance and Literature in the Commedia dell'Arte to your collection on WonderClub |
