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Acknowledgements vii
Introduction 1
From the promise of performance to the return of theatre
Kleist's Uber das Marionettentheater
From an ethics of performance to an affective politics of theatre
Stage fright: the predicament of the actor 35
In an 'awful hole'
A very 'modern' hole
Into the hole and out: diagnosis and cure
Abject hole: first 'blow-back'
Face your fear
Embarrassment: the predicament of the audience 70
Please don't look at me
What is embarrassment?
Towards a politics of shame
The animal on stage 96
Mouse in the house
Signs of labour
Animal politics
Mutual predicaments: corpsing and fiasco 129
Laughter
Corpsing
Fiasco
Forced Entertainment
Lyotard on theatre: last 'blow-back'
Afterword 161
Notes 169
Bibliography 186
Index 195
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Add Stage Fright, Animals, and Other Theatrical Problems, Why do actors get stage fright? What is so embarrassing about joining in? Why not work with animals and children, and why is it so hard not to collapse into helpless laughter when things go wrong? In trying to answer these questions - usually ignored by t, Stage Fright, Animals, and Other Theatrical Problems to the inventory that you are selling on WonderClubX
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Add Stage Fright, Animals, and Other Theatrical Problems, Why do actors get stage fright? What is so embarrassing about joining in? Why not work with animals and children, and why is it so hard not to collapse into helpless laughter when things go wrong? In trying to answer these questions - usually ignored by t, Stage Fright, Animals, and Other Theatrical Problems to your collection on WonderClub |