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List of illustrations | ||
Acknowledgments | ||
Introduction | 1 | |
1 | Aesthetics and Orientalism in Mary Wortley Montagu's letters | 23 |
2 | Janet Schaw and the aesthetics of colonialism | 46 |
3 | Landscape aesthetics and the paradox of the female picturesque | 66 |
4 | Helen Maria Williams' revolutionary landscapes | 108 |
5 | Mary Wollstonecraft's anti-aesthetics | 140 |
6 | Dorothy Wordsworth and the cultural politics and scenic tourism | 170 |
7 | The picturesque and the female sublime in Ann Radcliffe's Mysteries of Udolpho | 209 |
8 | Aesthetics, gender, and empire in Mary Shelley's Frankenstein | 230 |
Notes | 246 | |
Selected Bibliography | 291 | |
Index | 306 |
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Add Women Travel Writers and the Language of Aesthetics, 1716-1818, British readers of the eighteenth and early nineteenth centuries eagerly consumed books of travel in an age of imperial expansion that was also the formative period of modern aesthetics. Beauty, sublimity, sensuous surfaces, and scenic views became conven, Women Travel Writers and the Language of Aesthetics, 1716-1818 to the inventory that you are selling on WonderClubX
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Add Women Travel Writers and the Language of Aesthetics, 1716-1818, British readers of the eighteenth and early nineteenth centuries eagerly consumed books of travel in an age of imperial expansion that was also the formative period of modern aesthetics. Beauty, sublimity, sensuous surfaces, and scenic views became conven, Women Travel Writers and the Language of Aesthetics, 1716-1818 to your collection on WonderClub |