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Acknowledgements | ||
List of abbreviations | ||
1 | Introduction | 1 |
Pt. 1 | 1929-1932 | |
2 | Dante ... Bruno. Vico .. Joyce and Assumption: 'the prospect of self-extension' | 11 |
3 | From a view to a kill: Proust and Le Concentrisme | 34 |
4 | Dream of Fair to Middling Women: 'a solution of continuity' | 56 |
Pt. 2 | 1932-1936 | |
5 | More poems than precipitates: towards Echo's Bones and beyond | 77 |
6 | In the interval: More Pricks Than Kicks | 93 |
7 | Beckett as bookman: the reviews | 114 |
8 | Figure and ground: Murphy | 125 |
Pt. 3 | 1937-1946 | |
9 | Dissonance: 1937-1940 | 151 |
10 | Watt and Watt not | 168 |
11 | Texts for something: 'a universe become provisional' | 187 |
12 | Mercier et Camier and the nouvelles: 'the vicissitudes of the road' | 201 |
13 | Conclusion | 228 |
Notes | ||
Select bibliography | ||
Index |
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Add Beckett before Godot, In Beckett before Godot, John Pilling reevaluates the formative years of Beckett between the publication of his first work in 1929 and the composition late in 1946 of The Calmative, his last work before the trilogy. Using a wealth of unpublished manuscr, Beckett before Godot to the inventory that you are selling on WonderClubX
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Add Beckett before Godot, In Beckett before Godot, John Pilling reevaluates the formative years of Beckett between the publication of his first work in 1929 and the composition late in 1946 of The Calmative, his last work before the trilogy. Using a wealth of unpublished manuscr, Beckett before Godot to your collection on WonderClub |