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| Preface | ||
| Acknowledgements | ||
| 1 | Classical ideology and the pre-history of singing | 1 |
| 2 | The medieval period: religion, literacy and control | 14 |
| 3 | The Italian baroque revolution | 31 |
| 4 | The development of the modern voice | 47 |
| 5 | Concerts, choirs and music halls | 67 |
| 6 | Armstrong to Sinatra: swing and sub-text | 87 |
| 7 | Early music and the avant-garde: twentieth-century fragmentation | 113 |
| 8 | Elvis Presley to rap: moments of change since the forties | 133 |
| 9 | Singing and social processes | 158 |
| 10 | Towards a theory of vocal style | 190 |
| Notes | 200 | |
| List of references | 206 | |
| Index | 216 |
| Price | Condition | Delivery | Seller | Action |
| $100.00 | Digital |
| WonderClub |
Joshua Stimpson
reviewed Vocal Authority: Singing Style and Ideology on June 16, 2008
Vocal Authority: Singing Style and Ideology
It's Christgau. Enough said.
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