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1 | Introduction : the man who had three lives | 1 |
2 | Albee's early one-act plays : "a new American playwright from whom much is to be expected" | 16 |
3 | Who's Afraid of Virginia Woolf? : toward the marrow | 39 |
4 | "Withered age and stale custom" : marriage, diminution, and sex in Tiny Alice, A delicate balance, and Finding the sun | 59 |
5 | Albee's 3 1/2 : the Pulitzer plays | 75 |
6 | Albee's threnodies : Box-Mao-Box, All over, The lady from Dubuque, and Three tall women | 91 |
7 | Minding the play : thought and feeling in Albee's "hermetic" works | 108 |
8 | Albee's monster children : adaptations and confrontations | 127 |
9 | "Better alert than numb" : Albee since the eighties | 148 |
10 | Albee stages Marriage play : cascading action, audience taste, and dramatic paradox | 164 |
11 | "Playing the cloud circuit" : Albee's vaudeville show | 178 |
12 | Albee's The goat : rethinking tragedy for the 21st century | 199 |
13 | "Words; words they're such a pleasure." (an afterword) | 217 |
14 | Borrowed time : an interview with Edward Albee | 231 |
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