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List of illustrations | ||
Notes on the contributors | ||
Acknowledgments | ||
Introduction: Is there a text in the screening room? | 1 | |
1 | The cinema of attractions and the novel in Barry Lyndon and Tom Jones | 16 |
2 | Three cinematic Robinsonades | 35 |
3 | Adaptations of Defoe's Moll Flanders | 52 |
4 | Film, censorship, and the "corrupt original" of Gulliver's Travels | 70 |
5 | Adapting Fielding for film and television | 88 |
6 | The spaces of Clarissa in text and film | 106 |
7 | Jacques le fataliste on film: from metafiction to metacinema | 123 |
8 | "Carnal to the point of scandal": on the affair of La Religieuse | 139 |
9 | Adaptation and cultural criticism: Les Liaisons dangereuses 1960 and Dangerous Liaisons | 157 |
10 | Mapping Goethe's Wilhelm Meister onto Wenders' Wrong Move | 175 |
11 | Rob Roy: the other eighteenth century? | 192 |
Filmography | 211 | |
Bibliography | 217 | |
Index | 220 |
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Add Eighteenth-Century Fiction on Screen, Offering an extensive introduction to cinematic representations of classic fiction of the eighteenth century, this study sheds new light on the process of converting prose fiction into film. The contributors provide a variety of theoretical and critical a, Eighteenth-Century Fiction on Screen to the inventory that you are selling on WonderClubX
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Add Eighteenth-Century Fiction on Screen, Offering an extensive introduction to cinematic representations of classic fiction of the eighteenth century, this study sheds new light on the process of converting prose fiction into film. The contributors provide a variety of theoretical and critical a, Eighteenth-Century Fiction on Screen to your collection on WonderClub |