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Acknowledgements | ||
Note on texts | ||
Preface | ||
1 | Sentence and period | 1 |
i | Sentences now | 1 |
ii | Sentences then | 13 |
iii | Medieval punctuation | 20 |
iv | Period | 35 |
2 | Prose rhythm | 45 |
3 | Syntax and period in Middle English | 59 |
4 | Cranmer's commonwealth | 71 |
i | Tyndale and the Bible | 71 |
ii | Cranmer's sentences | 82 |
5 | Shakespeare vs the wanderers | 105 |
i | The worst English prose | 105 |
ii | Shakespeare's prose | 123 |
iii | Puritan pamphleteers | 131 |
6 | Dryden's democracy | 139 |
7 | The prose world | 151 |
App. 1 | The history of the sentence | 166 |
App. 2 | Medieval punctuation theory | 185 |
App. 3 | Punctuation in a few manuscripts | 190 |
App. 4 | Cranmer and the cursus | 200 |
Texts frequently cited | 209 | |
Index | 213 |
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Add The Establishment of Modern English Prose in the Reformation and the Enlightenment: The Art of Prose Writing from the Middle Ages to the Enlightenment, Ian Robinson traces the legacy of prose writing as a form theorized and propagated as an art distinct from verse. Engaging with histories of rhetoric as well as the work of the great prose writers in English, Robinson provides a bold reappraisal of this l, The Establishment of Modern English Prose in the Reformation and the Enlightenment: The Art of Prose Writing from the Middle Ages to the Enlightenment to your collection on WonderClub |