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Book Categories |
| List of figures | ||
| Introduction | 1 | |
| 1 | 'Little booke: thy selfe present': the politics of presentation in The Shepheardes Calender | 15 |
| 2 | 'Cut without hands': Herbert's Christian altar | 41 |
| 3 | On historical commentary: the example of Milton and Dryden | 52 |
| 4 | Sequences of reading: Pope's Moral Essays and Imitations of Horace | 75 |
| 5 | Presenting jeopardy: language, authority, and the voice of Smart in Jubilate Agno | 97 |
| 6 | Did Blake betray the French Revolution? A dialogue of the mind with itself | 117 |
| 7 | Presentation of the self in the composition of The Prelude | 138 |
| 8 | The epiphanic mode in Browning's poetry | 163 |
| 9 | Newman's leading | 181 |
| 10 | The politics of genre and audience in Yeats | 200 |
| 11 | The shaping of D. H. Lawrence's Look! We Have Come Through! | 214 |
| 12 | Presentation and self-presentation in In Parenthesis | 235 |
| Select bibliography of the work of Ian Jack | 257 | |
| Index | 263 |
| Price | Condition | Delivery | Seller | Action |
| $120.00 | Digital |
| WonderClub |
Christopher Brightbill
reviewed Presenting Poetry: Composition, Publication, Reception on February 09, 2014
Presenting Poetry: Composition, Publication, Reception
Overly burdened with theory and showing evidence of having begun life as a dissertation. If I weren't a stolid reader of literary criticism I'd have grown impatient with the author's continual reiteration of themes and the tiresome summaries -- at the beginnings and ends of chapters and often in the middles as well -- of what he was about to say or had said. However, a useful guide to the subject and avoids the more obvious pitfalls.
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