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Masaccio's 'Trinity' Book

Masaccio's 'Trinity'
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Masaccio's 'Trinity', Masaccio's Trinity examines one of the defining paintings of the Italian Renaissance. Renowned for the grandeur of its characterizations, both sacred and mortal, for the perspectival illusion of its monumental architectural setting, and for its compelli, Masaccio's 'Trinity'
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  • Masaccio's 'Trinity'
  • Written by author Rona Goffen
  • Published by Cambridge University Press, 1998/01/28
  • Masaccio's "Trinity" examines one of the defining paintings of the Italian Renaissance. Renowned for the grandeur of its characterizations, both sacred and mortal, for the perspectival illusion of its monumental architectural setting, and for its compelli
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Book Categories

Authors

List of Illustrations
List of Contributors
Introduction: Masaccio's Trinity and the Early Renaissance 1
1 The Florentine Elite in the Early Fifteenth Century 33
2 Masaccio's Trinity and the Letter to Hebrews 43
3 Masaccio's Fresco Technique and Problems of Conservation 65
4 The Perspective Construction of Masaccio's Trinity Fresco and Medieval Astronomical Graphics 90
5 Time and the Timeless in Quattrocento Painting 108
6 Masaccio's Skeleton: Art and Anatomy in Early Renaissance Italy 119
Glossary 141
Selected Bibliography 143
Index 157


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Masaccio's 'Trinity', Masaccio's Trinity examines one of the defining paintings of the Italian Renaissance. Renowned for the grandeur of its characterizations, both sacred and mortal, for the perspectival illusion of its monumental architectural setting, and for its compelli, Masaccio's 'Trinity'

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Masaccio's 'Trinity', Masaccio's Trinity examines one of the defining paintings of the Italian Renaissance. Renowned for the grandeur of its characterizations, both sacred and mortal, for the perspectival illusion of its monumental architectural setting, and for its compelli, Masaccio's 'Trinity'

Masaccio's 'Trinity'

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Masaccio's 'Trinity', Masaccio's Trinity examines one of the defining paintings of the Italian Renaissance. Renowned for the grandeur of its characterizations, both sacred and mortal, for the perspectival illusion of its monumental architectural setting, and for its compelli, Masaccio's 'Trinity'

Masaccio's 'Trinity'

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