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Preface; Introduction; Part I. Music and Poetry: 1. The problem - assumptions and distinctions; 2. The tradition and the divorce; 3. Popular songs; 4. Ideas and theories, medieval and humanist; 5. The Reformation; 6. Music and the early Tudor lyric, I: song-books and musical settings; 7. Music and the early Tudor lyric, II: the 'literary' lyric and its tunes; Part II. Courtly Love and the Courtly Lyric: 8. Introductory: 'a new company of courtly makers'?; 9. The 'game of love'; 10. The courtly makers from Chaucer to Wyatt; Part III. Music at Court: 11. Music in ceremonies, entertainments and plays; 12. Domestic and amateur music; 13. Professional musicians; Epilogue; Appendices; Index.
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Annne Garces
reviewed Music and Poetry in the Early Tudor Court on April 05, 2012
Music and Poetry in the Early Tudor Court
This book serves as a good seminar in general English studies. The author keeps a light tone throughout, but also incorporates examples that add insight to the topics he discusses. I recommend it for any who want a brief overview of directions they could go in studying the subject.
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Add Music and Poetry in the Early Tudor Court, First published in 1962, John Stevens' book examines the complex interplay between lyrical and musical compositions in the courts of Henry VII and VIII. One of the persistent problems for the reader of an English lyric is this: was the poem meant to be su, Music and Poetry in the Early Tudor Court to the inventory that you are selling on WonderClubX
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Add Music and Poetry in the Early Tudor Court, First published in 1962, John Stevens' book examines the complex interplay between lyrical and musical compositions in the courts of Henry VII and VIII. One of the persistent problems for the reader of an English lyric is this: was the poem meant to be su, Music and Poetry in the Early Tudor Court to your collection on WonderClub |