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1. Self and sensibility in contemporary poetry;
2. The dominant poetic mode of the late seventies;
3. The pressure to transform;
4. The paradoxes of contemporary antiromanticism;
5. Robert Creeley's poetics of conjecture: the pains and pleasures of staging a self at war with its own lyric desires;
6. John Ashbery: discursive rhetoric within a poetics of thinking;
7. Self-reflection as action: the recent work of Adrienne Rich;
8. Epilogue: Criticism and contemporary poetry; Afterword.
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Pedro Martinez
reviewed Self and Sensibility in Contemporary American Poetry on October 20, 2014 Self and Sensibility in Contemporary American Poetry
Decently informative, but so repetitive it gets jarring. I get that the writer is a feminist, but there's so much more to adaptation studies than Mary Wollstonecraft, her daughter and bloody Frankenstein. It reads like a rather lazy & hurriedly written text. I feel sad that this was my introduction to the field of adaptation studies.
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Add Self and Sensibility in Contemporary American Poetry, Self and Sensibility in Contemporary American Poetry is an inquiry into the cultural roles lyric poetry does and can play in our age. Charles Altieri first establishes a dominant mode in 'serious' American poetry by identifying current assumptions inheren, Self and Sensibility in Contemporary American Poetry to the inventory that you are selling on WonderClubX
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Add Self and Sensibility in Contemporary American Poetry, Self and Sensibility in Contemporary American Poetry is an inquiry into the cultural roles lyric poetry does and can play in our age. Charles Altieri first establishes a dominant mode in 'serious' American poetry by identifying current assumptions inheren, Self and Sensibility in Contemporary American Poetry to your collection on WonderClub |
