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Acknowledgments | ||
Introduction: Communicating "a correct knowledge of American Slavery": J. B. Estlin and the "breeder" in Frederick Douglass's Narrative | 1 | |
1 | "Exhibiting Uncle Tom in some shape or other": the commercialization and reception of Uncle Tom's Cabin in England | 11 |
2 | Abolition as a "step to reform in our kingdom": Chartism, "white slaves," and a new "Uncle Tom" in England | 33 |
3 | "Repetitious accounts so piteous and so harrowing": the ideological work of American slave narratives in England | 52 |
4 | "Negrophilism" and nationalism: the spectacle of the African-American abolitionist | 69 |
Epilogue: "How cautious and calculating": English audiences and the impostor, Reuben Nixon | 91 | |
Notes | 101 | |
Bibliography | 126 | |
Index | 137 |
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Add American Slaves in Victorian England: Abolitionist Politics in Popular Literature and Culture, During the 1850s, African-Americans and others active in the campaign to abolish slavery journeyed to England to present the slave experience and rouse opposition to American slavery. By focusing on Harriet Beecher Stowe's Uncle Tom's Cabin, an anonymous , American Slaves in Victorian England: Abolitionist Politics in Popular Literature and Culture to the inventory that you are selling on WonderClubX
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Add American Slaves in Victorian England: Abolitionist Politics in Popular Literature and Culture, During the 1850s, African-Americans and others active in the campaign to abolish slavery journeyed to England to present the slave experience and rouse opposition to American slavery. By focusing on Harriet Beecher Stowe's Uncle Tom's Cabin, an anonymous , American Slaves in Victorian England: Abolitionist Politics in Popular Literature and Culture to your collection on WonderClub |