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Acknowledgement | ||
Contributors | ||
1 | Introduction | 1 |
2 | Popular music analysis: ten apothegms and four instances | 16 |
3 | From lyric to anti-lyric: analyzing the words in pop song | 39 |
4 | The sound is 'out there': score, sound design and exoticism in The X-Files | 60 |
5 | Feel the beat come down: house music as rhetoric | 80 |
6 | The determining role of performance in the articulation of meaning: the case of 'Try a Little Tenderness' | 103 |
7 | Marxist music analysis without Adorno: popular music and urban geography | 131 |
8 | Jethro Tull and the case for modernism in mass culture | 158 |
9 | Pangs of history in late 1970s new-wave rock | 173 |
10 | Is anybody listening? | 196 |
11 | Talk and text: popular music and ethnomusicology | 218 |
Bibliography | 240 | |
Discography | 258 | |
Film/Videography | 260 | |
Index | 261 |
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