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Part I. German aesthetics of music in the second half of the nineteenth century:
1. Music as an autonomous being;
2. Music as an expressive force;
3. The eclectic tendency;
Part II. Aesthetics of music in France and England:
4. General works;
5. The Impact of Wagner;
6. England;
Part III. Music and positivist thought:
7. Psychology of music and the theory of empathy;
8. Theories and speculation about the origin of music;
Part IV. Bridge between music theory and philosophy and the beginnings of musicology as an independent discipline:
Part V. New tendencies at the turn of the century:
9. Historical understanding;
10. Criticism of the theory of empathy;
11. The past and the future of music.
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