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Preface | ||
Introduction | 1 | |
1 | L'Astree and androgyny | 24 |
2 | The grateful dead: Corneille's tragedy and the subject of history | 48 |
3 | Passion play: Jeanne des Anges, devils, hysteria and the incorporation of the classical subject | 65 |
4 | Rodogune: sons and lovers | 87 |
5 | Moliere's Tartuffe and the scandal of insight | 113 |
6 | Racine's children | 141 |
7 | "Visions are seldom all they seem": La Princesse de Cleves and the end of Classical illusions | 174 |
Notes | 212 | |
Index | 235 |
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Add Subjectivity and Subjugation in Seventeenth-Century Drama and Prose: The Family Romance of French Classicism, This book analyzes the relation between the modern subject who emerges in seventeenth-century French literature, particularly in dramatic works, and the emergence of the first modern Absolutist state. It shows how in the work of the major writers of the C, Subjectivity and Subjugation in Seventeenth-Century Drama and Prose: The Family Romance of French Classicism to the inventory that you are selling on WonderClubX
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Add Subjectivity and Subjugation in Seventeenth-Century Drama and Prose: The Family Romance of French Classicism, This book analyzes the relation between the modern subject who emerges in seventeenth-century French literature, particularly in dramatic works, and the emergence of the first modern Absolutist state. It shows how in the work of the major writers of the C, Subjectivity and Subjugation in Seventeenth-Century Drama and Prose: The Family Romance of French Classicism to your collection on WonderClub |