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| List of figures | ||
| Acknowledgements | ||
| Introduction: issues and perspectives | 1 | |
| 1 | Back to the future: Nabokov's selection criteria for L'Oeuvre du XXe siecle | 8 |
| 2 | Nabokov, Shostakovich and the view from the bridge | 25 |
| 3 | Articles of war: the Prague Manifesto and the Progressistes | 37 |
| 4 | Creative freedom or political obligation? Serialism and Stalinism in France | 50 |
| 5 | Culture and confrontation at the Theatre des Champs-Elysees | 69 |
| 6 | Neither you nor they: the avant-garde and neutralite | 87 |
| 7 | Music and Sartrean commitment | 103 |
| 8 | Rene Leibowitz and the musician's conscience | 116 |
| 9 | A forlorn hope: Sartre's ávirtual' audience | 132 |
| 10 | Serialism, scientism and the post-war world view | 141 |
| Epilogue: the aftermath of L'Oeuvre du XXe siecle | 165 | |
| App | the musical programme for L'Oeuvre du XXe siecle | 177 |
| Notes | 186 | |
| Bibliography | 218 | |
| Index | 237 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
John Bebout
reviewed Music and Ideology in Cold War Europe on February 25, 2020
Music and Ideology in Cold War Europe
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Add Music and Ideology in Cold War Europe, This study analyzes the radicalization of art music in early post-war France in its broader socio-cultural and political context, pursuing two lines of inquiry. The first details the attitudes towards musical conservatism and innovation adopted by cultura, Music and Ideology in Cold War Europe to your collection on WonderClub |