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Foreword | 7 | |
Acknowledgements | 9 | |
Introduction | 11 | |
1 | The Great Debate | 15 |
2 | The Changing World | 41 |
3 | The Grand Tradition: Shen Yinmo, Ye Gongchuo, Guo Moruo, Chen Yi, Deng Sanmu, Mao Zedong | 66 |
4 | Breaking the Mould: Zhang Zhengyu, Li Luogong | 118 |
5 | The Classicists: Sha Menghai, Lin Sanzhi, Qi Gong, Wang Shixiang | 132 |
6 | The Modernists: Wang Dongling, Huang Miaozi, Gu Gan | 162 |
7 | The Neo-Classicists: Zhang Sen, Liu Zengfu, Han Yu, Sa Benjie | 194 |
8 | The Avant-Garde: Zhang Dawo, Pu Lieping, Wei Ligang, Wang Nanming, Zhang Qiang | 226 |
9 | The Brushmarks of Friendship: Yang Xianyi | 264 |
Illustration and photographic credits | 274 | |
Chinese transcriptions of calligraphy | 277 | |
Bibliography | 280 | |
Chinese bibliography | 282 | |
Index | 284 |
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Add The Art of Calligraphy in Modern China, Calligraphy is a defining feature of Chinese culture, both a means of communication and a revered form of art. It has changed more dramatically during the half century since Mao Zedong established the People's Republic in 1949 than over the preceding fift, The Art of Calligraphy in Modern China to the inventory that you are selling on WonderClubX
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Add The Art of Calligraphy in Modern China, Calligraphy is a defining feature of Chinese culture, both a means of communication and a revered form of art. It has changed more dramatically during the half century since Mao Zedong established the People's Republic in 1949 than over the preceding fift, The Art of Calligraphy in Modern China to your collection on WonderClub |