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List of Illustrations | ||
Preface | ||
Acknowledgments | ||
Introduction | 1 | |
1 | China Diversified: An Overview of Popular Music in the Reform Era, 1978-1997 | 10 |
2 | The Negotiation of Minority/Majority Identities and Representation in Popular Music Culture | 54 |
3 | Negotiating Gender in Post-Revolutionary Popular Music Culture: Reconstructing Manhood, Womanhood, and Sexuality | 108 |
4 | Popular Music and State Politics: Hegemony, Resistance, Symbiosis, and Unity | 190 |
Notes | 273 | |
References | 291 | |
Index | 311 |
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Add China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997, This is the most comprehensive study to date of the rich popular music scene in contemporary China. Focusing on the city of Beijing and drawing upon extensive fieldwork, China's New Voices shows that during the 1980s and 1990s, rock and pop music, , China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997 to the inventory that you are selling on WonderClubX
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Add China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997, This is the most comprehensive study to date of the rich popular music scene in contemporary China. Focusing on the city of Beijing and drawing upon extensive fieldwork, China's New Voices shows that during the 1980s and 1990s, rock and pop music, , China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997 to your collection on WonderClub |