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Foreword | ||
Translator's Acknowledgments | ||
Abbreviations | ||
A Note on Quotation from English Translations | ||
Pt. 1 | The Concept of the Spectacle | |
Must We Burn Debord? | 1 | |
The Spectacle - Highest Stage of Abstraction | 5 | |
Debord and Lukacs | 19 | |
History and Community as the Essence of Man | 31 | |
Pt. 2 | The Practice of Theory | |
The Letterist International | 45 | |
The Situationists and Art | 63 | |
The Critique of Everyday Life | 72 | |
The Situationists and the Sixties | 81 | |
May 1968 and After | 99 | |
The Debord Myth | 105 | |
The Spectacle Twenty Years On | 117 | |
Pt. 3 | Theory Past and Present | |
The Situationist Critique in Historical Context | 125 | |
The Aporias of the Subject and the Prospects for Action | 135 | |
Two Sources and Two Aspects of Debord's Theory | 148 | |
Afterword to the English-Language Edition | 161 | |
Bibliography 1: Works of Guy Debord | 169 | |
Bibliography 2: Selected Works on Debord and tbe Situationists | 175 | |
Index | 181 |
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Add Guy Debord, This is the first serious intellectual biography of Guy Debord, prime mover of the Situationist International (1957-1972) and author of The Society of the Spectacle, perhaps the seminal book of May 1968 in France. Anselm Jappe rejects recent at, Guy Debord to the inventory that you are selling on WonderClubX
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Add Guy Debord, This is the first serious intellectual biography of Guy Debord, prime mover of the Situationist International (1957-1972) and author of The Society of the Spectacle, perhaps the seminal book of May 1968 in France. Anselm Jappe rejects recent at, Guy Debord to your collection on WonderClub |