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| List of Illustrations | ||
| List of Musical Examples | ||
| Acknowledgments | ||
| Introduction | 1 | |
| 1 | Opera as Social Duty | 9 |
| 2 | Expression as Imitation | 35 |
| 3 | Tears and the New Attentiveness | 53 |
| 4 | Concerts in the Old Regime | 71 |
| 5 | Harmony's Passions and the Public | 81 |
| 6 | Entertainment and the Revolution | 99 |
| 7 | Musical Experience of the Terror | 116 |
| 8 | Musical Expression and Jacobin Ideology | 137 |
| Epilogue: Thermidor and the Return of Entertainment | 155 | |
| 9 | Napoleon's Show | 165 |
| 10 | The Theatre Italien and Its Elites | 182 |
| 11 | The Birth of Public Concerts | 197 |
| 12 | In Search of Harmony's Sentiments | 206 |
| 13 | The Social Roots of Silence | 228 |
| 14 | Operatic Rebirth and the Return of Grandeur | 239 |
| 15 | Beethoven Triumphant | 257 |
| 16 | The Musical Experience of Romanticism | 270 |
| Afterword | 281 | |
| Notes | 287 | |
| Bibliography | 349 | |
| Index | 379 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Michael Goebel
reviewed Listening in Paris: A Cultural History on July 26, 2011 Listening in Paris: A Cultural History
Excellent and above all entertainingly written account of Parisian opera & concert life in the 18th and 19th centuries.
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