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Acknowledgments | ||
A Note on Transliteration | ||
Preface | ||
Pt. 1 | A Garden Now Destroyed | |
1 | The Lost World | 3 |
2 | Beyond a Sea of Blood | 16 |
3 | Reconstruction | 31 |
4 | The Water of Life | 46 |
Pt. 2 | Flowers on the Branch of Invention | |
3 | Tazkirahs | 63 |
6 | Poems Two Lines Long | 77 |
7 | The Art and Craft of Poetry | 91 |
8 | The Mind and Heart in Poetry | 106 |
Pt. 3 | Light from English Lanterns | |
9 | The Cycles of Time | 127 |
10 | From Persian to English | 140 |
11 | "Natural Poetry" | 155 |
12 | Poetry and Morality | 169 |
Epilogue | 185 | |
Appendix: A Ghazal Observed | 191 | |
Glossary | 195 | |
Notes | 201 | |
Bibliography | 225 | |
Index | 231 |
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Add Nets of Awareness: Urdu Poetry and Its Critics, As a student of Urdu, Frances Prichett remembers, her first experince of the ghazal-the preeminent genre of classical Urdu poetry-was love at first sight. But much to her puzzlement and dismay, she discovered that modern Urdu critics generally approach , Nets of Awareness: Urdu Poetry and Its Critics to the inventory that you are selling on WonderClubX
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Add Nets of Awareness: Urdu Poetry and Its Critics, As a student of Urdu, Frances Prichett remembers, her first experince of the ghazal-the preeminent genre of classical Urdu poetry-was love at first sight. But much to her puzzlement and dismay, she discovered that modern Urdu critics generally approach , Nets of Awareness: Urdu Poetry and Its Critics to your collection on WonderClub |