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Preface | ||
1 | Introduction | 1 |
2 | Narrating Resentment through Urban-Rural Tension: Shimazaki Toson's Kyushujin | 45 |
3 | Changing Metaphors: From Vertical Hierarchy to Centralization in Toson's Hakai | 76 |
4 | Between Style and Language: The Meiji Subject and Natsume Soseki's Neko | 103 |
5 | Death, Empire, and the Search for History in Natsume Soseki's Kokoro | 126 |
6 | Claiming the Urban Landscape: Tokuda Shusei as Discursive Creation | 151 |
7 | From Sericulture to Piece-work: Visualizing the "Rowdy" Subject in Shusei's Arakure | 197 |
8 | Epilogue: The Kindai Shosetsu and Origuchi Shinobu | 222 |
Bibliography | 257 | |
Index | 267 |
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Add Complicit Fictions: The Subject in the Modern Japanese Prose Narrative, In Complicit Fictions, James Fujii challenges traditional approaches to the study of Japanese narratives and Japanese culture in general. He employs current Western literary-critical theory to reveal the social and political contest inherent i, Complicit Fictions: The Subject in the Modern Japanese Prose Narrative to the inventory that you are selling on WonderClubX
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Add Complicit Fictions: The Subject in the Modern Japanese Prose Narrative, In Complicit Fictions, James Fujii challenges traditional approaches to the study of Japanese narratives and Japanese culture in general. He employs current Western literary-critical theory to reveal the social and political contest inherent i, Complicit Fictions: The Subject in the Modern Japanese Prose Narrative to your collection on WonderClub |