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Introduction: Eminent Domain: The Cultural Location of Tracey Emin | 6 | |
Ch. 1 | Why is my Art not as Good as me?: Femininity, Feminism and 'Life-Drawing' in Tracey Emin's Art | 22 |
Ch. 2 | Greedy Kunst | 40 |
Ch. 3 | The Trademark Tracey Emin | 60 |
Ch. 4 | Heart of Glass: Reflection, Reprise and Riposte in Self-Representation | 79 |
Ch. 5 | The Effect of Intimacy: Tracey Emin's Bad-Sex Aesthetics | 102 |
Ch. 6 | Bedtime | 119 |
Ch. 7 | On the Move: My Bed, 1998 to 1999 | 134 |
Ch. 8 | We Love you, Tracey: Pop-Cultural Strategies in Tracey Emin's Videos | 155 |
Ch. 9 | Another Dimension: Tracey Emin's Interest in Mysticism | 172 |
Ch. 10 | Interview with Tracey Emin | 195 |
Notes | 210 | |
Film and Video Works by Tracey Emin | 219 | |
Notes on Contributors | 220 | |
Acknowledgments | 221 | |
Index | 222 |
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Add The Art of Tracy Emin, The career of Tracey Emin, one of the best-known contemporary British artists, has become a potent symbol of the relationship between art and celebrity in our time. When it was exhibited in London at the Tate in 1999, her now notorious installation My Be, The Art of Tracy Emin to the inventory that you are selling on WonderClubX
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Add The Art of Tracy Emin, The career of Tracey Emin, one of the best-known contemporary British artists, has become a potent symbol of the relationship between art and celebrity in our time. When it was exhibited in London at the Tate in 1999, her now notorious installation My Be, The Art of Tracy Emin to your collection on WonderClub |