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Book Categories |
Introduction | 7 | |
Ch. 1 | Painters and Printers | 15 |
Ch. 2 | Johns and Rauschenberg | 33 |
Color Plates 1 and 2 | 41 | |
Ch. 3 | Pop and Print | 49 |
Ch. 4 | Multiplicity | 69 |
Color Plates 3 and 4 | 81 | |
Ch. 5 | Material Forms and Social Functions: 1960s into 1970s | 97 |
Ch. 6 | High Tech and the Human Touch | 123 |
Color Plates 5 and 6 | 145 | |
Ch. 7 | Uses of History | 177 |
Ch. 8 | The Ethos of the Edition | 201 |
Color Plates 7 and 8 | 217 | |
Notes | 242 | |
Notes on the Prints | 250 | |
Artists' Biographies | 262 | |
Workshops and Publishers | 283 | |
Bibliography | 290 | |
Glossary | 295 | |
Index | 300 | |
Acknowledgments | 304 |
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Add The Contemporary Print : Pre-Pop to Postmodernism, Today, not only do the best artists of our time frequently make prints, some of the most highly regarded artworks are prints. More editions are being produced by more artists in greater diversity than at any point in history. This book provides for the fi, The Contemporary Print : Pre-Pop to Postmodernism to the inventory that you are selling on WonderClubX
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Add The Contemporary Print : Pre-Pop to Postmodernism, Today, not only do the best artists of our time frequently make prints, some of the most highly regarded artworks are prints. More editions are being produced by more artists in greater diversity than at any point in history. This book provides for the fi, The Contemporary Print : Pre-Pop to Postmodernism to your collection on WonderClub |