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Part I | ||
I. | A Short Description of the Progress made in England during the last Thirty Years | 19 |
II. | The Importance of Good Training, and the Facilities afforded the Student in various Art Schools | 26 |
III. | Modelling in its Elementary Stage and the Technique | 33 |
IV. | Modelling a Portrait Bust | 46 |
V. | Building up a Figure or Group in the Round | 72 |
VI. | Waste Moulding and Casting | 90 |
VII. | The Process of Gelatine Moulding and Casting | 122 |
VIII. | Modelling for Terra-Cotta | 135 |
IX. | Modelling in Relief | 152 |
X. | Modelling for Bronze, &c. | 175 |
XI. | Making a Model in Clay to be carried out afterwards in Marble or other Stone | 197 |
XII. | Making a Model in Clay to becarried out in Wood for Architectural Decoration, Interior and Exterior | 208 |
XIII. | Colouring, Waxing, and Bronzing Plaster Casts | 217 |
XIV. | Enlarging a Small Model to Heroic Size by the Chassis | 237 |
XV. | Marble Carving | 246 |
XVI. | A Final Note | 260 |
Part II | ||
A Few Masterpieces Considered | 265 |
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Add Modelling and Sculpture: A Guide to Traditional Methods, Both experienced and novice sculptors will appreciate this manual, written by an expert, that addresses every practical detail necessary for a complete knowledge of the craft. Topics include modelling a portrait bust; casting; modelling for terra-cotta, i, Modelling and Sculpture: A Guide to Traditional Methods to the inventory that you are selling on WonderClubX
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Add Modelling and Sculpture: A Guide to Traditional Methods, Both experienced and novice sculptors will appreciate this manual, written by an expert, that addresses every practical detail necessary for a complete knowledge of the craft. Topics include modelling a portrait bust; casting; modelling for terra-cotta, i, Modelling and Sculpture: A Guide to Traditional Methods to your collection on WonderClub |