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| Preface | vii | |
| Chapter 1 | The Philosophical and Aesthetic Foundations of Literary Theories | 1 |
| 1 | Kant, Hegel, and Literary Theory | 3 |
| 2 | From Romanticism and Young Hegelianism to Nietzsche | 9 |
| Chapter 2 | Anglo-American New Criticism and Russian Formalism | 17 |
| 1 | Kant and Croce in the New Criticism | 19 |
| 2 | Russian Formalism between Kantianism and the Avant-Garde | 24 |
| 3 | The Aborted Dialogue between Marxists and Formalists | 32 |
| Chapter 3 | Czech Structuralism between Kant, Hegel, and the Avant-Garde | 36 |
| 1 | Roman Jakobson's and Jan Mukarovsky's Kantianism | 38 |
| 2 | Hegel and the Avant-Garde in Mukarovsky's Theory: Structure, Function, Norm, and Value | 43 |
| 3 | Symbol and Aesthetic Object: From Mukarovsky to Vodicka | 49 |
| Chapter 4 | Problems of Reader-Response Criticism: from Hermeneutics to Phenomenology | 55 |
| 1 | From Gadamer to Jauss: The Hermeneutics of Reader-Response | 57 |
| 2 | From Ingarden to Iser: The Phenomenological Perspective | 66 |
| 3 | Stanley Fish's Alternative | 75 |
| Chapter 5 | From Marxism to Critical Theory and Postmodernism | 81 |
| 1 | Marx, Lukacs and Goldmann: Hegelian Aesthetics | 83 |
| 2 | Benjamin and Adorno between Kant and Hegel: Avant-Garde, Ambiguity, and Truth | 94 |
| 3 | Mikhail M. Bakhtin's Young Hegelian Aesthetics | 104 |
| 4 | Marxist Aesthetics in a Postmodern World: Alex Callinicos, Terry Eagleton, Fredric Jameson | 108 |
| Chapter 6 | The Aesthetics of Semiotics: Greimas, Eco, Barthes | 113 |
| 1 | Greimas or the Search for Meaning | 115 |
| 2 | Umberto Eco: From the Avant-Garde to Postmodernism | 124 |
| 3 | Roland Barthes' Nietzschean Aesthetics | 132 |
| Chapter 7 | The Nietzschean Aesthetics of Deconstruction | 141 |
| 1 | The Philosophical Origins of Deconstruction: From Platonism and Hegelianism to Nietzsche and Heidegger | 143 |
| 2 | Derrida's Romantic and Nietzschean Heritage: ecriture, iterabilite, differance | 148 |
| 3 | Derrida on Mallarme and Jean-Pierre Richard | 155 |
| 4 | Paul de Man: Allegory and Aporia | 158 |
| 5 | J. Hillis Miller: Aporia, Repetition, Iterability | 163 |
| 6 | Geoffrey H. Hartman: Negativity, Delay, Indeterminacy | 169 |
| Chapter 8 | Lyotard's Postmodern Aesthetics and Kant's Notion of the Sublime | 174 |
| 1 | From Kant to Lyotard: Postmodern Aesthetics of Disharmony | 175 |
| 2 | Lyotard and de Man: the Sublime, Allegory, and Aporia | 182 |
| Chapter 9 | Towards a Critical Theory of Literature | 189 |
| 1 | Literary Theory between Kant, Hegel, and Nietzsche | 191 |
| 2 | Towards a Critique of Ideology: Ideology as Sociolect and Discourse | 198 |
| 3 | Towards a Critical Theory of Literature | 205 |
| Notes | 214 | |
| Bibliography | 236 | |
| Index | 251 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Bush Kim
reviewed Philosophy of Modern Literary Theory on August 14, 2015 Philosophy of Modern Literary Theory
Gordon wood is the greatest living historian and one of the top living essayists. for some reason there's a hardcover version on amazon for $18 and then the same edition for only $6.99.
order this! trust me. if you've ever wondered about the relative nature of history, about the (im)possibility of truth, the relationship between ideas and revolution, the stupidity of the far left, the stupidity of the far right, the perils and/or necessity of american exceptionalism, marxism, multiculturalism, post-modernism, race class gender and how they relate to reality and history... (and written with such clarity and force and understanding and erudition and insight it'll make you wilt) - if a strange world of warring historians duking it out in books and journals and lectures and college campuses sounds in any way strange and fantastic and cool… order this.
gordon wood presents a major problem b/c he gets a seat at my 'table of people I'd like to eat dinner with, drink scotch with, and argue all night with' and that means i gotta kick someone out. i think it might be mario vargas llosa. sorry.
i'm also gonna do something wood would never do. plagiarize (with some minor edits). check it:
"If something terrible happens to me one day, and all that's left is my body, and if, around the same time, something terrible should happen to Gordon Wood and all that's left is his brain, I would hope that somehow medical science and luck would combine, and allow these terrible accidents to be resolved through a relatively happy solution, by which one of us (not Mr. Wood) would be greatly improved."
this book really deserves a proper review. i see it sits on jessica's 'currently reading' shelf -- she, of course, has a much sharper brain than myself and a much greater command of the english language. do it up, lady.
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