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New Introduction | ||
Preface | ||
Introduction | ||
1 | Prejudices and Bad Habits | 3 |
2 | Function and Dramaturgy | 20 |
3 | The New Musical Resources | 32 |
4 | Sociological Aspects | 45 |
5 | Elements of Aesthetics | 62 |
6 | The Composer and the Movie-Making Process | 89 |
7 | Suggestions and Conclusions | 114 |
Appendix: Report on the Film Music Project | 135 | |
Appendix: Fourteen Ways to Describe Rain | 158 | |
Index | 167 |
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Add Composing for the films, This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the tec, Composing for the films to the inventory that you are selling on WonderClubX
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Add Composing for the films, This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the tec, Composing for the films to your collection on WonderClub |