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The Purpose of Playing: Modern Acting Theories in Perspective Book

The Purpose of Playing: Modern Acting Theories in Perspective
The Purpose of Playing: Modern Acting Theories in Perspective, <i>The Purpose of Playing</i> provides the first in-depth introduction to modern critical acting, enabling students, teachers, and professionals to comprehend the different aesthetic possibilities available to today's actors. The book presents a comparati, The Purpose of Playing: Modern Acting Theories in Perspective has a rating of 4.5 stars
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The Purpose of Playing: Modern Acting Theories in Perspective, The Purpose of Playing provides the first in-depth introduction to modern critical acting, enabling students, teachers, and professionals to comprehend the different aesthetic possibilities available to today's actors. The book presents a comparati, The Purpose of Playing: Modern Acting Theories in Perspective
4.5 out of 5 stars based on 2 reviews
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  • The Purpose of Playing: Modern Acting Theories in Perspective
  • Written by author Robert Gordon
  • Published by University of Michigan Press, July 2006
  • The Purpose of Playing provides the first in-depth introduction to modern critical acting, enabling students, teachers, and professionals to comprehend the different aesthetic possibilities available to today's actors. The book presents a comparati
  • The Purpose of Playing provides the first in-depth introduction to modern critical acting, enabling students, teachers, and professionals to comprehend the different aesthetic possibilities available to today's actors. The book presents a comparati
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Book Categories

Authors

Ch. 1Nineteenth-century acting8
Ch. 2Acting as psychological truth : Stanislavski's legacy37
Ch. 3The actor as scenographic instrument89
Ch. 4The legacy of Jacques Copeau121
Ch. 5Michel Saint-Denis and the English tradition141
Ch. 6British approaches to the teaching of speech and movement169
Ch. 7Improvisation and games for devising and for performer training191
Ch. 8Brechtian theater as political praxis221
Ch. 9Augusto Boal and the theater of the oppressed259
Ch. 10Antonin Artaud, the actor's body, and the space of performance274
Ch. 11Jerzy Grotowski286
Ch. 12From personal encounter to cultural exchange : the theaters of Peter Brook310
Ch. 13Performance as cultural exchange : Eugenio Barba and theater anthropology333


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The Purpose of Playing: Modern Acting Theories in Perspective, <i>The Purpose of Playing</i> provides the first in-depth introduction to modern critical acting, enabling students, teachers, and professionals to comprehend the different aesthetic possibilities available to today's actors. The book presents a comparati, The Purpose of Playing: Modern Acting Theories in Perspective

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The Purpose of Playing: Modern Acting Theories in Perspective, <i>The Purpose of Playing</i> provides the first in-depth introduction to modern critical acting, enabling students, teachers, and professionals to comprehend the different aesthetic possibilities available to today's actors. The book presents a comparati, The Purpose of Playing: Modern Acting Theories in Perspective

The Purpose of Playing: Modern Acting Theories in Perspective

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The Purpose of Playing: Modern Acting Theories in Perspective, <i>The Purpose of Playing</i> provides the first in-depth introduction to modern critical acting, enabling students, teachers, and professionals to comprehend the different aesthetic possibilities available to today's actors. The book presents a comparati, The Purpose of Playing: Modern Acting Theories in Perspective

The Purpose of Playing: Modern Acting Theories in Perspective

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